From the Archives: Only Opal

March 10, 2009 @ 7:30 pm | Filed under:

Originally posted in June, 2006

069811564301_aa_scmzzzzzzz_Only Opal: The Diary of a Young Girl, adapted by Jane Boulton, illustrated by Barbara Cooney.

I put this book on hold at the library after reading a review of it—somewhere. I couldn’t remember where. After I read it to my girls, I had to Google it because I needed to know a) whom to thank for steering me toward it and b) if other mothers were writing about the thing that pierced my heart about this book.

When the blogsearch landed on Karen Edmisten I thought: Well, of COURSE.

This heartbreakingly beautiful picture book is based on the diary of a young girl named Opal Whitely, a turn-of-the-century child whose parents died and left her to be bounced from one lumber camp to the next in the care of cold and uncaring foster parents. Opal’s surviving record of her very early days is a stunning portrait of a tender, hopeful spirit clinging to every tiny shred of beauty to be found in a grim world. A dark-eyed mouse lives in her pocket; a tall, straight-backed tree offers her strength and support. Opal has no one to love her, so she pours out her own love upon the calf in the field, even though her kind attentions earn her harsh words from the nameless woman who houses her (and works her half to death).

That the foster mother is nameless is telling: Opal is overflowing with names for the creatures she loves. As Karen Edmisten writes,

“Opal finds solace and beauty in nature and in the books her parents left her. From these books, she discovers names for her friends: her pet mouse becomes Felix Mendelssohn, her calf is Elizabeth Barrett Browning and her favorite tree is christened Michael Raphael.”

And that’s the thing that so moved me—and frightened me, in a way—about this book. Did little Opal encountered the composer, the poet, and the archangels on her own in the books her parents left behind, or were their names already familiar to her because she had learned them at her mama’s knee? I can imagine the young mother in the lumber camp, reciting poetry to her tiny daughter; a father humming snatches of a Mendelssohn melody he caught in a drawing room somewhere far away.

Am I just projecting? Is it that I read poetry—some of the very same poems, no doubt—to my own children, and their father the classical music buff plays them symphonies (very loudly) and waxes enthusiastic about the talents of certain composers? Does Only Opal pierce my heart because my children have learned about St. Michael and St. Raphael at my knee, and seeing this delicate child left abandoned to callous strangers reminds me that we are none of us guaranteed the chance to nurture our little ones all the way to adulthood? Suppose (I don’t like to suppose it) something were to happen, and Scott and I were gone. Have we planted enough fruit-bearing seeds in the children’s hearts to nourish them through whatever trials life might hold for them?

I came away from Only Opal feeling profoundly grateful for the time we have had thus far, and for the freedom we have had to make the most of that time. Thankful for the books that have shaped our days together: the many, many mornings we have spent curled up over a volume of poetry and the evenings when I had to shout “Pass the salt” over the crescendo of a Shostakovich symphony. I cannot imagine a scenario in which my children had no one to love them but a ragged little field mouse, but surely there will be times of distress or loss in their lives sooner or later. I cannot protect them from that. What I can do, what I must do, is bequeath to them a store of treasures—the fine music, the fine words, the fine and glorious tenets of our faith—that will sustain them through the unknowns that lie ahead.

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9 Reponses | Comments Feed
  1. Barbara says:

    So many times I’ve wanted to write and say thank you for your thoughts! This is one of those times I felt I really need to say a big THANK YOU! Thank you for the time you take to bring the beauty of literature, poetry, music and just you! into your children’s lives. They are our eternal heritage. Barbara

  2. Wendy says:

    Thank you! I’m struggling to do just that at the moment with a very rebellious 8 yr old boy but your words will help me to persevere and to lead by example to (God willing) show him how to love these things….

  3. Karen Edmisten says:

    Oh, how I love that book! We haven’t read it for awhile, and I just stumbled on it two days ago, and thought, “I have to read this to Ramona again.” 🙂

  4. Terry says:

    Thank you again and again !
    I was searching for Little House updates one day and came across Here in the Bonny Glen.
    Since that day I have been so inspired by your loving words.
    I am a complete stranger to the computer but doing my best to get aquainted in my spare time. Thanks to your site I now have a blog .It is very fragile and like a young animal trying to stand up on its own legs it kind of wobbles a wee bit,
    However I am encouraged to keep at it so I too can discover and share the beautiful things God has provided for us through literature and song .
    Again thank you for inspiring an old dog to learn new tricks.

  5. Amy C. says:

    Oh how we love this book! Funny, my 5yo just pulled this off the shelf on Sunday, so it’s back in high rotation, and inspiring lots of writing and kisses on the nose. 🙂

  6. Hannah says:

    Wow, this review is so beautiful and poignant that I almost don’t know if I’m brave enough to read the book to my children (sort of like Pink and Say). Maybe I”ll hunt it down and read it to myself first. With tissues.

    Barbara Cooney is always a winner. Miss Rumphius and Ox-Cart Man are probably both on our family’s Top Ten Picture Books list.

  7. Sora says:

    It is well worth hunting down one of the several published versions of the complete, non-picture book version of Opal Whitely’s diary.

  8. Amy C. says:

    One more thing. This book haunts me for a related, but different, reason. That nameless mother. You mentioned that she nearly works Opal to death, but I don’t know if that’s necessarily true (from this adaptation, anyway). Reread it, and think about your “own girls” Martha or Charlotte. Are any of Opal’s tasks out of line with what they might have done? But there is a clear difference that definitely makes it work unto death: it’s the spirit of the mother, the attitude that a clean floor brings more joy than a child. This book always leaves me whispering a prayer that I may value my children as their dignity demands.