She’ll perch on a stool and play with the wooden dolls on my shelves by the hour. This is how Sunday afternoon unfolds: her soft doll-chatter murmuring beside me while I’m reading, studying, or (as was the case this weekend) cleaning out closets.
I see Joanna Trollope’s Other People’s Children peeking out from one of the stacks; I read it on (I think it was) Lesley’s recommendation and found it wholly absorbing, thoughtful, vivid, a bit sad. I liked it very much. Those shelves are a jumble of things I’m eager to read but haven’t had a chance yet (Green Dolphin Street, borrowed from my friend Carmen; The Light Between Oceans, a gift from my publisher last Christmas; Brideshead Revisited, because I still—still! still!!1!!—haven’t, among others) and books I love so much I need to keep them close. (A Far Cry From Kensington; One Man’s Meat; Dear Genius; etc. etc. etc.)
Notable picture-book reads of late: The Artist Who Painted a Blue Horse—a top-ten favorite of Rilla’s, and she’ll talk your ear off about the highlight colors in the paintings, if you like; Miss Suzy, back in frequent rotation; Open This Little Book, of which Huck cannot get enough; and to Huck for the very first time—oh! this particular milestone has been one of the most delightful I’ve experienced with each of the kids, one by one—Make Way for Ducklings. You can tell he’s the sixth child, not getting his full measure of McCloskey until the ancient age of four and a half. Scandal!
How to get a signed copy of The Nerviest Girl in the World
More Victorian Stuff and a Note from Howard Whitehouse!
“…fields everywhere invite you into them.”
Join me for a live Nerviest Girl readaloud!
Today in Rillabooks