I’ve been meaning to share this all week! Last Saturday, my beloved pub-sing choir (still singing together, sans pub, via Facebook Live events, since last March) unveiled our second virtual chorale video: a Valentine’s-themed performance of Peter Gabriel’s “In Your Eyes.” It delights me that we can make music together even when we’re all scattered in our homes. And once we went virtual, people from around the world began to join us. For this video, we had over 175 contributors from more than a dozen countries.
During the next live show on Feb. 23rd, Low Bar Chorale‘s musical director, the incredible Ben Landsverk, will announce the song for our March virtual choir video. You can participate, if you’re interested! The Tuesday-night FB Live events (every other week) are a socially-distanced way to sing: Ben is onscreen, teaching harmonies and singing, sometimes solo, sometimes accompanied by a video of the Low Bar Chorale Band (which is phenomenal). You can watch quietly or sing along from home, whatever you like. (It’s not a Zoom thing—no one else can hear you.)
So—Tuesday night live shows, viewable in replay videos by visiting Low Bar Chorale’s FB page; and occasional virtual group performances like “God Only Knows” and “In Your Eyes.” Two ways to pour some magical music into your days. I would love to see your face in one of these little squares next time!
My first encounter with our local crocus patch, Feb 4, 2018
In the neighborhood:
• The snowdrops and crocuses are blooming, and the daffodil stems are getting tall. It’s time to visit the nearby park that becomes a field of purple and yellow crocuses this time of year. Most park-goers here seem to be good with masks, so hopefully we can safely meander along the paths.
In my reading life:
• Our Wrinkle in Time readaloud is getting to the exciting part. Yesterday, Huck and Rilla (along with Meg, Calvin, and Charles Wallace) got their first glimpse of the shadow blotting out a swath of stars. Things are about to get intense!
• Library books keep expiring on my Kindle before I get through them. This is poor patronage on my part! (Given the hefty prices libraries pay for e-books, which have a finite number of check-outs and then must be repurchased.) The blessing of rabbit-trailing is also its curse: I encounter more books than I can possibly read, ever, ever. Currently in progress: Good Habits, Bad Habitsby Wendy Wood; Sapiens: A Brief History of Humankind by Yuval Noah Harari; The Thief by Megan Whalen Turner; The Cave Painters by Gregory Curtis; and (oh the irony) Start Finishing by Charlie Gilkey. Oh, and Grace Lin’s The Year of the Dog, for which I’ll be writing a Brave Writer Dart this month.
• Oh but of course there are hard copies in my hands too! My friend Michelle reminded me of Christian McEwen’s World Enough and Time, which I bought a year ago but hadn’t begun. If you’re a Patreon subscriber, you know I have now begun reading it at last, and I’m adoring it. Am also midway through a reread of Liz Gilbert’s Big Magic.
Crocuses in Wilshire Park, Feb 4, 2018. We’re not quite there yet, but it’s just around the corner.
We had a sudden blast of snow the other day, our first all year, and it caught me completely by surprise. Snow at THIS time of year? I thought—and then had to laugh. It’s January, for Pete’s sake. Nothing astonishing about snow in January, even here in the rainy northwest.
But, you see, the crocuses are budding, and the daffodils are coming up. And the general fresh-start feeling of January, plus the fresh-start feeling of the inauguration, have me feeling very springy. Winter weather was quite unexpected. The kids hurried out to enjoy the flurries while they lasted. By the next morning, they were gone. Wet sidewalks, no ice, no drifts. Not so much as a flake left.
Instead: my neighbor’s crocuses opened wide. Glorious.
My own crocuses are pokier.
We seem to have an odd microclimate in our yard: my bulbs consistently bloom about three weeks later than everyone else’s. I don’t mind that—it stretches out the enjoyment.
Neighborhood walks have become more pleasant since I switched back to putting in my contacts. All this past year of quarantine, I’ve had no need for them—they’re for distance; for driving, mostly; and even before the pandemic, I wasn’t driving very often. Here in Portland it’s easier to walk or grab a Lyft. In fact, we got rid of our minivan last February, so seldom did I use it. Perfect timing, since otherwise it would have gathered dust in front of the house all year!
Several of us have had our first doses of the Covid vaccine (Oregon opened it up to people with disabilities and their adult household members a few weeks ago). I’m hopeful that we’ll get the second dose on schedule in early February. If we do, I know life still won’t be back to normal quite yet, but it will be normal-er? If normal even is a thing, anymore. I look at videos of our Low Bar Chorale pub sings and marvel: a crowd of us packed together, heads close, mouths open wide. How long before such a thing is possible once more?
Speaking of Low Bar!!
In December we made a group video, a virtual chorale performance of God Only Knows. It was splendid. (I didn’t submit a video myself, since they were due the week we lost my brother-in-law. But I run social media for the group and was busy behind the scenes, promoting the event.)
I’ve rebooted my newsletter and sent out a new issue. I moved it from Mailchimp to Flodesk, so if you are a subscriber and didn’t get an issue last week, check your spam filter to make sure it didn’t get snagged. You can read the January issue here or subscribe here.
I put it on pause for January to give me some time to reorganize the tiers. Membership pricing remains the same (it’s cheap!) but the subscriber benefits have changed.
Tier 1 benefits ($1/month or more):
• Daily coworking sessions
• Weekly posts about nourishing a regular creative practice—mine and yours
Tier 2 benefits ($3/month or more):
• Daily coworking sessions
• Weekly posts about creative practice
• Monthly (or twice monthly, if time permits) memoir posts—early looks at a manuscript I’m working on about our homeschooling, creative-living, medical-roller-coastering family adventure. Bonny Glen: the book version, if you will.
Tier 3 benefits ($5/month or more):
• Daily coworking sessions
• Weekly posts about creative practice
• Monthly memoir posts
• Monthly literary essays, usually focusing on a particular author or a linked collection of books. A close reading of a book or deep dive into a favorite author’s body of work.
For all levels: I’ll continue my daily coworking sessions until the pandemic is well and truly behind us, and we can go back to working in coffee shops and museum cafés again. We meet in a private Zoom room and do brief check-ins before and after each hour of work. The usual schedule is M-F, 3-5pm Pacific time (except Tuesdays, when we meet for just one hour, 4-5 PST).
When you mention A Ring of Endless Light in a post, naturally you check for dolphins among your photos. Here’s Beanie making a friend in 2008.
My morning routine has been a bit out of whack lately, and I’m trying to get it back in what an etymological site tells me is the opposite: in fine whack, meaning the same as in fine fettle.
There seems to have been a phrase in fine whack during that century, meaning that something was in good condition or excellent fettle. (It appears in a letter by John Hay, President Lincoln’s amanuensis, dated August 1863, which describes the President: “The Tycoon is in fine whack. I have rarely seen him more serene and busy. He is managing this war, the draft, foreign relations, and planning a reconstruction of the Union, all at once”.) It doesn’t often turn up in writing, though, so there’s some doubt how widespread it was.
And now I’m trying to remember which Madeleine L’Engle book discusses the word amanuensis—I’m hearing a small boy saying it; he’s proud to be someone’s amanuensis, a literary or artistic assistant; which means it’s either Rob Austin or Charles Wallace Murry. Hmm, no, neither seems right, although in my memory there was an element of precociousness in the character’s use of the word. I reread A Ring of Endless Light for the umpteenth time last year—always my favorite L’Engle novel—so that’s probably where I’m recalling it from. But would it have been Rob? Was Adam Jed’s amanuensis? Sort of?
Well, this digression is indicative of the way I sometimes allow my morning routine to skitter off course. I have a no-screens rule for the first hour minutes, and then I allow myself to open the laptop for an hour or more of writing time. I’ve been trying to keep to a strict one-tab-at-a-time habit, but a rabbit trail like the one above has generated three extra tabs and a jaunt to the library website to see if A Ring of Endless Light was available in ebook. It was! But my search for amanuensis in the text revealed zero hits. Hmm. My brain will keep poking this question until I find the answer. Watch me: I’ll wind up rereading all of L’Engle to find the quote!
A reread to help me jump into a new year and a new project. Steven Pressfield’s take on Resistance is some of the most useful teaching about writing I’ve ever encountered.
“I wake up with a gnawing sensation of dissatisfaction. Already I feel fear. Already the loved ones around me are starting to fade. I interact. I’m present. But I’m not.
I’m not thinking about the work. I’ve already consigned that to the Muse. What I am aware of is Resistance. I feel it in my guts. I afford it the utmost respect, because I know it can defeat me on any given day as easily as the need for a drink can overcome an alcoholic.
I go through the chores, the correspondence, the obligations of daily life. Again I’m there but not really. The clock is running in my head; I know I can indulge in daily crap for a little while, but I must cut it off when the bell rings.”
I set this afternoon aside for reading, a whole glorious seven hours of it, and reading always makes me want to write. So here I am, blowing the dust off this dear old blog. I neglect it for weeks at a stretch because I spend so much of my day writing other things, and when I open this tab I often feel drained or blank.
There’s also an aspect of blogging that feels like homework—combing my photos for the right image, choosing tags, looking up books on Bookshop.org or Amazon to add links, the kind that send a few cents my way, defraying the costs of maintaining the site. Chores I find tedious and sometimes embarrassing. The book links aren’t as necessary as I tell myself they are—you can Google anything that catches your interest—but money’s as tight for us as it is for most everyone else right now, and omitting the links always feels, in the end, a bit irresponsible. Even now I’m staring at the word Bookshop up there, feeling internal pressure to stick my affiliate link in place like a sensible blogger.
But this is my magic week, when I don’t have to be sensible. I try to reserve the week between Christmas and New Year’s Day for combing through the year’s notebooks, revisiting, panning for gold. It’s mostly iron pyrite so far, but that’s often useful in its own way. I gave yesterday afternoon to a single notebook, distilled now to a page of notes and asterisks. Today, as I mentioned, was hours and hours of reading other people’s work. Twyla Tharp’s Keep It Moving, a packet of poems, a Mary Oliver essay that cut me to the quick. Lordy, I love her. Both of them. Twyla shakes you by the shoulders and Mary raises her eyebrows at you until you cry uncle. You’re right, I’m constantly shouting back, of course you’re right! I’ll go for a walk! I’ll try to enter the long black branches of other lives! More birds, less Twitter!
The line that made me gasp tonight—it was like an adrenaline syringe to the heart—was in her essay “Of Power and Time”:
In creative work—creative work of all kinds—those who are the world’s working artists are not trying to help the world go around, but forward.
She writes about her three selves—the child she was, who exists now in remembered experiences; the “attentive, social” self who makes dentist appointments and remembers to buy mustard; and a third self, “occasional in some of us, a tyrant in others.” A self “out of love with time,” a self that “has a hunger for eternity.”
The shock of recognition was severe. These past several months, my capable, responsible second self has—out of necessity—run the show. I’m a bit sick of her, to be honest. My third self, more tired than tyrannical in this bizarrest of years, is stretching her limbs and wondering when the prime minister took over running the kingdom.
I’m being a little unfair to the second self: someone had to get the FAFSA done and the health insurance renewed, and it certainly wasn’t going to be the poet queen. Mary Oliver’s delight was in lying down in the grass, as though she were the grass. My delight has been in showing the grass to my children and teaching them how to find its secret name. We walk in different fields, is what I’m saying.
But. Sometimes the second self tumbles or leaps into the whirlpool of distractions—most of them connected to the internet—and promises the third self her turn will come “as soon as.” As soon as the election is over, as soon as this assignment is turned in, as soon as the bathroom floor is mopped. The as-soon-as train has an infinite number of cars.
Twyla Tharp would say: you must make a pledge to the third self. Promise her time on the throne. Mary Oliver says to put your foot into the door of the grass and to sit down like a weed among weeds and rustle in the wind!
Every day, I get up before dark to give the third self a little time in the chair. I’m dedicated to this practice and it bears fruit on a long, slow timeline. But here at the end of an infuriating, stupefying year, those morning hours already feel like a distant memory by the time breakfast is over. The poet queen refuses to compete with Twitter. She won’t come back until all the tabs are closed. That’s Mary Oliver’s point.
“It is six a.m.,” she writes, “and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be.”
This last week of the year, I invite the third self to occupy the chair not just in the dawn hours but for a string of entire days. The second self can go jump in a lake, as far as I’m concerned. Yes, jump! urges Twyla—there is literally a chapter about jumping in Keep It Moving, in which she recommends four different kinds of leaps you ought to fold into your day. Beside her, Mary is calling: Fall in, fall in!
There’s autumn, all stitched up. I feel myself shifting into winter mode, despite the bright leaves still lingering here and there on the neighborhood trees. I packed up the backyard bird fountain for the winter and replaced my studio blanket with an electric throw. On our walk yesterday, I discovered that I need to have my warm ankle boots resoled—I could feel every piece of gravel underfoot! I’ve logged a lot of miles in those boots on my treks around Northeast Portland.
Speaking of Northeast Portland! I’ve been reading—and loving to absolute bits—Beverly Cleary’s memoir, A Girl from Yamhill. As a young child she moves from the family farm in Yamhill to a rented house in Portland just a few miles from my neighborhood. And then, a year or two later, she moves to a house “a block and a half north of Klickitat.” I live a block and a half north of Klickitat! Just nine blocks away from the place Beverly lived for a while—a direct line east of where I sit as I type this post. I knew that she had lived in Northeast but I only knew about the homes near Grant Park and Fernwood Elementary. I didn’t know she’d had an interval right here in my own small neighborhood. She saw her first movies (silent films!) at the very same theater in which my family saw Avengers: Endgame. Goosebumps.
The sun is bright today, a rarity this time of year, not to be squandered. I’m itching to get out for a nice long tramp. At the same time, I’m longing to cuddle up under that heated throw and read more about Beverly, or dive into a chapter in the gorgeous book my friend just sent me: Nichole Gulotta’s Wild Words. It’s been a full day.
Two months free, then 50% off for life! Our Creativebug membership continues to be a mainstay of our homeschooling life. I get positively giddy when I scroll through the courses. I bet I’ve taken forty courses by now—drawing, painting, embroidery, sewing! And that’s just me—the kids use it too.