Archive for the ‘Art’ Category
So here’s something fun: this is my embroidery on Creativebug!
Waaay back in early March 2020, in the last gasp of the Before Times, Rebecca Ringquist of Dropcloth Samplers mentioned she was looking for test stitchers for a sampler to be used in her upcoming Creativebug class. I love Rebecca’s samplers and had taken several of her other Creativebug classes, so I was delighted to be chosen as one of the stitchers on this project.
Although we had never met, I knew Rebecca lived in my corner of Portland. She left the sampler on my porch one day, but I wasn’t home. Remember not being home? That day seriously was one of the very last times I wasn’t at home for a year.
The second-to-last very last time was March 10th. Even though my nose was still recovering from a harrowing-if-fascinating surgery to remove skin cancer, I went to the Tuesday night singalong of my beloved Low Bar Chorale. On my way into Show Bar at Revolution Hall, I passed some women sitting at one of the patio tables—and did a double-take, because I recognized Rebecca!
I think I sort of shrieked at her? I’m excitable that way. I introduced myself and we had a good laugh about it. She thanked me for testing the sampler and I told her I was already having a fabulous time with it. Then we went inside and sang with the band: a roomful of joyful adults shoulder to shoulder, mouths wide open, masks undreamed of.
Rebecca started a group text with her four test stitchers, and we spent the rest of March and April adjusting to lockdown and finding ourselves with LOADS of time for embroidery. Our deadline was late April, because Rebecca was supposed to film in May, I think. I loved working on the sampler, especially the alphabets. When Rilla saw the palette of floss colors I’d chosen, she laughed—they’re the same hues of Prismacolor pencils I always wear to a nub.
Covid, of course, changed Rebecca’s plans to fly to Creativebug’s studios in 2020 and film the class. But this year she was able to go at long last, and her class—Schoolhouse Sampler: A Daily Embroidery Practice—will begin on Saturday, aka January 1, the best day of the year.
(I love love love me a fresh start.)
The Schoolhouse Sampler is available at Rebecca’s Etsy shop, and you can sign up for the class at Creativebug. I’m a Creativebug affiliate, but I’m also a longtime subscriber, as you probably know if you’ve been around Bonny Glen for any length of time. It’s where I learned how to draw!
Heads up on an incredible deal! A whole year of Creativebug for $5. (Affiliate link.) The kids and I have taken sooo many of their art & stitching classes over the years. I’ve taken all of Lisa Congdon’s drawing classes and Rebecca Ringquist’s embroidery classes, to name a few—especially fun since I’ve become friends with both Lisa and Rebecca since moving to Portland!
I’ve posted many times about what an invaluable resource Creativebug is for homeschoolers and anyone else looking for affordable, high-quality art classes. This post recaps a few of my favorites.
I’ve archived last week’s Creativebug post (since that special is over), but I wanted a more evergreen record of classes we’ve enjoyed there. So here’s that post, tweaked for posterity. 😉
I’ve shared a lot here over the years about how much the kids and I love taking classes at Creativebug. Their drawing and painting classes have long been a staple of my Saturday-night art date with Rilla. The modest monthly subscription fee grants access to hundreds of classes in all sorts of creative pursuits: watercolors, line drawing, embroidery, sewing, knitting, crochet, cake design, on and on!
This Lisa Congdon class on Basic Line Drawing launched my personal sketchbook practice several years ago and changed my world. (I’ve since had the pleasure of getting to know Lisa in person, because she lives right here in Portland. She’s a gem! As is her new book, Find Your Artistic Voice.)
(Note: This is a screenshot, not an embedded video, in case any of you are trying to click on that arrow!)
Here’s a class Beanie took, to the delight of the whole family: Making Hand Pies
As you can see, Creativebug
has added a whole lot of color (and flavor!) to our world!
The other day at a singing party, a poet friend mentioned that she feels like fall is the beginning of the new year, not January 1st. Because of ingrained back-to-school associations, we agreed, but also—the brisk air rising in your lungs, quickening your pace; the freshened world beckoning you back after the air-conditioned hibernation of summer. I feel it today, the sense of beginnings: the yellow buses bustling along the narrow streets, fifty-cent composition books at the drugstore, apples red and ready on my neighbor’s tree. When does an apple’s life begin? Seed, blossom, first sweet bite?
I spent August stitching, mostly—finishing embroidery projects begun earlier in the year, then feverishly needling a cross-stitch lion for Rose’s 21st birthday, and then this past week, at a pace both leisurely and obsessive, working my way through Rebecca Ringquist’s Stitch-a-Day Sampler class on Creativebug (affiliate link). I’d noticed on Instagram that she was having a seconds sale on some of her Dropcloth Samplers, so I snapped up a Drawing Stitches sampler for five dollars and commenced using up the shortish strands of floss left from other projects. And fell in love with filling stitches: battlement, cloud, brick and cross, trellis.
As I stitched, a project shaped itself in my mind: a series of small pieces on a particular theme—too new to say more about, and it’s going to stretch my drawing skills past their comfort zone, but (like Lottie in Enchanted April, which I watched for the umpteenth time one Saturday as I stitched) I see it. It’s strange and exhilarating to have a creative vision fall from the tree fully-formed like a ripe apple—that’s not at all how writing a book works, where I have to card and spin the thread before I can stitch a row of words together.
I had everything I needed for this project on hand, except the right fabric. I’ve borrowed Sarah Benning‘s trick of using old, raggedy bedsheets for embroidery pieces, but the green one in my scrap pile isn’t quite right for what I mean to do. I was planning to scour some thrift shops when an unexpected treasure fell into my lap from Nextdoor—a neighbor three streets over offering a giveaway bag of linen and cotton scraps left from sewing projects. “Most pieces around six by six inches,” her notice read, and I gasped. Astonishingly, the next ad down—same neighbor!—was for free river rock. She has a few beds of stones she wants to replace, and she encouraged neighbors to come by and fill a bucket or barrow. I say “astonishingly” because that very morning I’d collected two or three smooth stones from around our yard and given them to Huck in a pan of soapy water to be washed and then painted in bright colors for edging our flowerbeds. If you happen upon any more stones like this in the yard, I’d told him, grab them for me because I need lots.
Now, thanks to this generous neighbor, I do have lots, a pail full, so our winter garden will be as bright as our spring, summer, fall. And in my studio there’s a bag of linen, blue, brown, cream, white, in strips and squares and odd shapes left by sleeves or pant legs. Even a few pockets, stitched, cut away, discarded, rediscovered and bulging with possibility. Happy new year, indeed.
A quickie today:
I’ve been getting lots of queries on Instagram about our puzzle boards as seen in the background of the pic, a few posts back, of Huck levitating off the sofa. Katharine asked about them, here, too, and I answered in the comments:
They’re whiteboards! I bought them a zillion years ago from a website called markerboardseconds.com or something like that. Discounted for scratch-and-dent, and man, what a great purchase that has turned out to be. What you’re seeing in the pic above is the backside, which we use constantly for puzzles–that little card table is right next to the big dinner table, so we need to be able to lay out our pieces and move them off the big table when it’s time to eat.
The other side is the whiteboard surface. We use some for homeschooly things, but mostly under watercolor paintings. Again, it’s nice to be able to move the wet paintings off the table to dry. They’re coated with years of spatter at this point.
That old markerboard seconds site seems to have disappeared, but you can find something similar (albeit considerably pricier) at Waldorf suppliers like Lyra, where they are sold as painting boards. And I’ve seen plain brown ones (no whiteboard side) at art supply shops. When I mentioned in yesterday’s post a topic idea about our best homeschooling purchases ever, these markerboards are what sparked the idea. We use them constantly, daily. The U.S. Presidents are listed on the back of one of them—probably permanent now since I think we wrote them out at least five years ago. And there’s a House of Stuart (or Tudor? both, probably) family tree stained into one of them. And then years and years of watercolor backsplash, as you can see in the top photo here. If you need to move a bunch of wet paintings off the dinner table, you can stack the boards up with Legos or blocks to create space between each tier.
January 12, 2019 @ 10:00 am | Filed under: Art
In case you haven’t seen it: this battle of the museums is the most delightful thing I’ve read on Twitter in a long time. The Museum of English Country Life challenged the British Museum to “show us your best duck.” Museums around the world answered the call. Click through, unfurl all the responses, and settle in for some laughs.
Now I want to draw all these ducks! (Well, maybe not the “resting” ones…)
So here’s a fun thing: I got to take a watercolor class last Saturday. If Peggy Dean offers a workshop in your town, jump at the chance to take it! Three hours passed in a flash as we learned watercolor techniques for leaves and loose florals. Such a blast. And the paints she sent us home with—more swoon. Plus one of her cruelty-free, eco-conscious brushes. We laughed and painted and learned cool stuff (with a brief, blissful interruption to take turns petting the ADORABLE King Charles spaniel puppy who appeared in the tea shop with his very accommodating owner). Peggy’s teaching style is A+++ and I had a wonderful time sharing everything I learned with Rilla at our Saturday Night Art Date afterward.
If you can’t get to a workshop, Peggy’s Skillshare classes are also excellent (Rilla and I have taken several) and you’ve heard me praise her Botanical Line Drawing book many times before. I’m glad I’m a homeschooler because I can decree next week to be take-all-the-rest-of-Peggy’s-classes week if I feel like it. If you’re new to Skillshare, you can get two free months of unlimited classes. (Also highly recommended: Stephanie Kilgast’s Sculpey classes.)
Thank you Peggy for a fabulous workshop! I’m still swooning over that hematite violet. 😍
Image via Skillshare
Rilla’s pick for our Saturday night art date: “How to Sculpt Beetles, Bugs and Scarabs Realistically” class at Skillshare. Delightful course. Really enjoyed the instructor, Stephanie Kilgast—her lessons are clear, simple, and inspiring. Rilla’s take was: “OH GOOD, this is exactly what I’ve been needing to learn.” (Her two chief interests in life are bugs and art. She wants to become an entomologist-slash-artist.)
My house is about to be overrun with Sculpey beetles, I can tell.
(Referral code for two months’ free trial: http://skl.sh/2GogjAi )
December 16, 2016 @ 5:15 pm | Filed under: Art
In a comment on yesterday’s “inside my pen case” post, Hanni wrote:
I have loved watching your journey of learning to sketch and draw. I want to start myself but I’m nervous. Have you always been a person who doodled etc? Or did it start when you made it a goal to sketch everyday? Seeing if there is hope for a person like me who has never done it naturally but has always been inspired by others.
I answered with a long reply, which I’ve decided to pull into its own post here. Tl:dr version: If I can do it, anyone can.
Hanni, start, start!!! I wasn’t a doodler before…I used to try to draw as a kid and was always so frustrated by my inability to make anything look the way I wanted it to. In college I took a costume design course that included a brief unit on Drawing on the Right Side of the Brain. That book blew me away. And in doing those exercises in class, I was astonished at how much better I got, and how rapidly. But then I dropped it again…for over 20 years.
I started this daily practice with Lisa Congdon’s line drawing class at Creativebug in fall 2014. From there I jumped to Sketchbook Skool and was really inspired and energized by those classes. Or—I guess actually I started with a Creativebug class on art journaling with Dawn DeVries Sokol* before the Congdon line drawing class, and I liked that one but found that what I really wanted was to learn to draw (vs art journaling which I always admire when I see other people’s but don’t seem drawn to in my own practice).
Since then, Creativebug has added SO MANY great drawing classes (all for your $5/mo subscription). I especially like the ones that are Daily Drawing Challenges because they walk you through how to draw specific things. (I’m currently obsessed with spatulas. Don’t ask me why. Just something really satisfying about that shape, LOL.)
*Dawn Sokol has a new Holiday Art Journaling class at Creativebug that Rilla and I will be checking out on our next art date, because art journals are absolutely my daughter’s cup of tea. (Affiliate link.)
For dipping your toes in without spending money, I would recommend trying out some of Koosje Koene’s free “Draw Tip Tuesday” videos on Youtube. So good and totally doable. Search YT for them and then maybe scroll back to some earlier ones and work forward. You’ll see that a lot of the stuff in my sketchbook comes from Koosje’s lessons.
Other good online instructors are:
Jane LaFazio, Liz Steel, and Roz Stendahl. I encountered them all via Sketchbook Skool first. Then Jane came to San Diego for a one-day workshop version of the nature journaling/watercoloring class she offers online, so I signed up for that. And oh my! So awesome. Here’s a post with some photos of the work I did in that class.
Liz and Roz are both gifted instructors. Their online classes are video-based and include extremely detailed PDF handouts to download.
Backing up to your question: Honestly, I don’t have natural drawing talent. I think in words, not pictures, and I can’t just sit down and draw something out of my head and have the angles and shapes look right. I’m frustrated a LOT of the time by my shortcomings. But natural drawing talent isn’t required to be able to *learn* to draw. If you can sign your name, you can already make all the basic shapes that every single drawing is composed of. That was one of the Drawing on the Right Side of the Brain revelations that floored me, way back when. Anyone can learn.
Danny Gregory (the other co-founder of Sketchbook Skool along with Koosje) makes a distinction between small-a art (which we can all make) and capital-A Art (you know, museum stuff). 😉 I’m not striving for Art, just art. My sketchbook journey has made me really happy. About every ten pages I draw something I actually like. 🙂 And you know what, for now that’s plenty. I usually mess up the page with something else, but sketching is something I do that truly is about process, not product. The pens and paints feel so good in my hand. Mark-making, color-swirling—it’s incredibly satisfying.
And I like having this thing I do that is purely about personal satisfaction. Writing is the Thing I have always done, the Thing that defines me—and because I’m good at it, it’s the Thing I do for a living. Which…puts you in a different relationship with the Thing. If that makes sense. Sketching owes me nothing, and I owe it nothing. No demands beyond the easy five-minutes-a-day minimum I impose upon myself. Most days, it’s much more than that, because once I get sucked in, I never want to start.
I often yearn for a better eye, a stronger and more original sense of artistic vision in my work (like the brilliant creative vision I see manifested in the work of the sketchbook artists I admire on Instagram), and as I said I get plenty frustrated with my fumbling, my un-originality. But that’s all before and after the fact. DURING, when the pen is in my hand, all of that drops away and I experience the pure, absorbed joy of mark-making. That’s what keeps me at it, not a sense of progress (although when I look back, I can see that I have improved).
I hope you’ll dive in! Let me know if you wind up taking any classes…
A last thought. When I began taking online classes, I found that many instructors speak very strongly against sketching in pencil, on the grounds that it makes beginners too fussy, too prone to erase. I will say that while I understand that thinking (and do a fair amount of sketching directly in ink myself, because I’m addicted to pens), for me that advice was a misdirect. I spent about eighteen months obediently eschewing pencil before I had a light bulb moment of: oh wait, I love how pencil feels going on the page. And boom, just like that, things opened wide. I love pencil sketching and then putting ink over it. That suits me really well. Diminished a lot of my frustration over ‘ruining’ things because it takes me a few tries to get the shape right. And I just plain like the texture! It’s funny that with everything else in life (homeschooling, ahem) my entire approach is: take what works and do my own thing with it, but with drawing I was quite cowed by authority at first.
I’ll close with some books Rilla and I have enjoyed working from, these past two years. When I’m stumped for material, I pull out one of them and tackle a page.
20 Ways to Draw a Tulip and 44 Other Fabulous Flowers
20 Ways to Draw a Cat and 44 Other Awesome Animals
20 Ways to Draw a Tree and 44 Other Nifty Things from Nature
20 Ways to Draw a Chair and 44 Other Interesting Everyday Things
Illustration School: Let’s Draw Cute Animals
Illustration School: Let’s Draw Happy People
Illustration School: Let’s Draw Plants and Small Creatures
Practical inspiration from Danny Gregory:
Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are
The Creative License: Giving Yourself Permission to Be the Artist You Truly Are
Rilla and I are looking forward to working through this book together: Draw Every Day, Draw Every Way (Guided Sketchbook): Sketch, Paint, and Doodle Through One Creative Year by Jennifer Orkin Lewis (AugustWren on Instagram—my fave!). This is one of those books you’re meant to and paint directly in, and I’m excited to think we’ll be creating a little archive for ourselves of our shared sketchbook journey. She’s been my staunch companion every step of the way, so far. Danny and Koosje and Roz are the superstars of Rilla’s world.
(Jennifer Lewis also offers a wonderful course on painting with gouache at Creativebug, as well as a Daily Painting Challenge. I’m making slow progress through both, because gouache takes a bit more planning for me than just reaching for my watercolor palette, but these are marvelous classes.)
• Daily Creativebug Challenge
• Drawing It Out (2005 post that, like this one, reminisces about that costume design class and the Edwards book, but then focuses on the how-to-draw books my older kids loved in those days. It’s funny to reread it now and see that despite its “anyone can learn to draw” message, I wasn’t striving in that direction at all myself. I talk about being able to draw a tree, a cartoon giraffe, and an alligator. That was the full extent of my doodling repertoire at the time and in this post, I don’t seem to express any intention to move beyond that. I’m sure it’s no coincidence that at the time it was written, I’d had four babies in ten years and was expecting a fifth.)
• Notebooks and sketchbooks and planners, oh my!
• 2015, Year of Paper
• Planner Love
• Unearthed: the Notebooks
• Ten Ways to Cultivate a Family Art Habit
• My interview with Danny Gregory about raising creative kids
• Learning in Public