Posts Tagged ‘handwork’
May 17, 2022 @ 4:00 pm | Filed under: Art
Creativebug remains my favorite place to dip into art and stitching classes. They’ve got a pretty incredible deal right now: a year’s subscription for $10! Membership gets you access to the entire library of classes, including the new lineup. I’ve got my eye on Joy Ting’s Color Play: A Daily Practice in Watercolor and Colored Pencil, and Courtney Cerruti’s Creative Correspondence class sounds fun too.
If you decide to give Creativebug a try, you can see some of my own handiwork in my friend Rebecca Ringquist’s Schoolhouse Sampler: A Daily Embroidery Practice class!
So here’s something fun: this is my embroidery on Creativebug!
Waaay back in early March 2020, in the last gasp of the Before Times, Rebecca Ringquist of Dropcloth Samplers mentioned she was looking for test stitchers for a sampler to be used in her upcoming Creativebug class. I love Rebecca’s samplers and had taken several of her other Creativebug classes, so I was delighted to be chosen as one of the stitchers on this project.
Although we had never met, I knew Rebecca lived in my corner of Portland. She left the sampler on my porch one day, but I wasn’t home. Remember not being home? That day seriously was one of the very last times I wasn’t at home for a year.
The second-to-last very last time was March 10th. Even though my nose was still recovering from a harrowing-if-fascinating surgery to remove skin cancer, I went to the Tuesday night singalong of my beloved Low Bar Chorale. On my way into Show Bar at Revolution Hall, I passed some women sitting at one of the patio tables—and did a double-take, because I recognized Rebecca!
I think I sort of shrieked at her? I’m excitable that way. I introduced myself and we had a good laugh about it. She thanked me for testing the sampler and I told her I was already having a fabulous time with it. Then we went inside and sang with the band: a roomful of joyful adults shoulder to shoulder, mouths wide open, masks undreamed of.
Rebecca started a group text with her four test stitchers, and we spent the rest of March and April adjusting to lockdown and finding ourselves with LOADS of time for embroidery. Our deadline was late April, because Rebecca was supposed to film in May, I think. I loved working on the sampler, especially the alphabets. When Rilla saw the palette of floss colors I’d chosen, she laughed—they’re the same hues of Prismacolor pencils I always wear to a nub.
Covid, of course, changed Rebecca’s plans to fly to Creativebug’s studios in 2020 and film the class. But this year she was able to go at long last, and her class—Schoolhouse Sampler: A Daily Embroidery Practice—will begin on Saturday, aka January 1, the best day of the year.
(I love love love me a fresh start.)
The Schoolhouse Sampler is available at Rebecca’s Etsy shop, and you can sign up for the class at Creativebug. I’m a Creativebug affiliate, but I’m also a longtime subscriber, as you probably know if you’ve been around Bonny Glen for any length of time. It’s where I learned how to draw!
My notebook is full of the Delta variant, the wildfires, the worries. How is it possible I have so many unvaccinated friends?—none local, but scattered across the country in counties with spiking rates, and I’m wondering what losses the next ninety days will hold. I sent out a few Cassandra-like texts last week, and got back gentle rebuffs or silence. Don’t worry about us, one friend replied, and I groaned—it isn’t something you just turn off. I listen to the epidemiologists, and I know what’s rushing up on us.
I write this here because I don’t want to chronicle the celebrations and joys, the beautiful richness of life, without also acknowledging the dire state of the world outside my doors—the people in peril. The planet in peril.
Here, in this house, in this room? Not peril. Peace, sometimes. Contentment, often. Helpless laughter, frequently. A busy thrum of activity, constantly. I document all this, too, in various notebooks, and, when I can, here on the blog. I keep a ridiculous number of lists. Lists of work accomplished, housework done, books read, television watched, podcasts and audiobooks listened to; lists of small moments that sent gratitude or delight surging through me.
—aeschynanthus blooming at last
—two sunsoaked tomatoes in the big black pot
—chickadees and bush tits at the feeder
—how much Huck and Rilla loved Nine to Five
—The Firelings, richer every time I read it
—Thomas A. Clark’s poems
more light on the branch
more light on the leaf
than appears to fall
on light or leaf
—Holly Wren Spaulding‘s posts like manna in my mailbox
—my studio, the daily rush of appreciation I feel for this lovely space
—a piece of aqua-colored linen in my hands, a vision for what it will become, a salamander in ferns, the meditative pleasure of handstitching the raw edges so they won’t fray
—on green quilter’s cotton purchased long ago, a pink chrysanthemum blooming
—my Aunt Genia’s recipe for inside-out chocolate cake, baked for no reason at all except that I was thinking of her
—the new mop bucket, the satisfaction of gleaming floors
—Rose’s long quest for an apartment, successful at last
—the smell of morning, the expectant crows, the clatter of peanuts on the patio
—dulce de leche ice cream
—kids playing Zelda for hours
—my friend Kyleen’s viola, Allen’s upright bass
—my candy-colored socks
—the Seam Finishing 101 class at Creativebug, a true gem
—the free Bystander Intervention training at Hollaback
—the Sister Act 2 finale, which will never get old
The celebration lists, and the Cassandra letters. That’s what I’ve got for the world right now.
I was looking for something in Dropbox and found a bundle of design elements I bought for my website a zillion years ago. Lots of pretty watercolor images and other goodies. There don’t seem to be any designer credits in the files, though surely there was documentation somewhere? I haven’t looked through all the files—much of it looks like things easily created in Canva now—but there was a folder full of watercolored butterflies, moths, leaves, and other bits of nature. I grabbed the image above to brighten up this post, and it turned into a twenty-minute effort to find a designer name in order to credit the artist. I mean, the entire purpose of a design elements package like this is that you’re allowed unlimited (and uncredited) use of the images. But someone made this art and it bugs me not to be able to say who.
Those lost minutes exemplify my theory that everything in modern life takes a minimum of 20 minutes longer than than you think it will. Especially internetty things. We’ve built a rabbit warren and we’re forever getting lost in meandering tunnels. And every seemingly simple task involves half a dozen steps, at least one of which will rack up your extra 20 minutes.
As of yesterday, we are now a one-vehicle family. Since our move to Portland, I don’t drive much at all. Our old Saturn was out of commission for a long while, but we got it running again last fall and decided not to renew the minivan lease when it expired. This after I did the math and realized just how much each infrequent van trip was costing us each month. I’d rather take a Lyft if I’m going across the river, anyway—I loathe hunting for parking downtown. And we do most of our daily errands on foot now: possibly my most favorite thing of the many things I love about living here. Groceries a block away. Dozens of cafes, pubs, and restaurants within walking distance. Two bus lines moments from our door, making it easy for my older kids to commute to work and school and Powell’s Books and other essential destinations. I could even walk to my doctor’s office if I needed to. I don’t tend to, because it’s next door to a grocery store I like, and the walk home is uphill. But I could.
Of course this means we’re now three seats short for a whole-family excursion, but an occasional rental (or two Lyfts) is still a lot cheaper than keeping the Odyssey.
Scott and I had been worriting over the end-of-lease busywork for a while, and yesterday’s turn-in appointment felt a bit anticlimactic—we’d had no one big family moment where we said goodbye to the minivan that bridged our time between San Diego and Portland. It’s just suddenly…gone. Along with (we just this minute realized) my I’d Rather Be Reading Betsy-Tacy license plate frame. Whoops. Scott’s making a call to the dealer as I type. Fingers crossed!
I got the stitches out of my nose on Thursday! And things are looking pretty good. Still in my jammies this morning so no pics:) There’s one small bump of scar tissue on the bridge of my nose that I’m worried is going to hang out and look like a perpetual pimple, but other than that I’m really quite amazed at how well the incisions have healed already. The scar is a faint red line zigzagging along my nose, and it’ll fade. There’s still some swelling so that my nostrils aren’t in exactly the same places they used to be. In a few weeks I’m supposed to start kneading and massaging the tissue daily to help break down scar tissue and restore the original shape. I’m hoping that means the one little scar bump will flatten out as well? If not, it’s only noticeable in profile. I’ll live. 🙂
I’m not yet able to put sunscreen on it, which means I’m going to have to overcome my aversion to wearing hats long enough to get my walks in—spring has arrived in full force and I need to be out in it! Cherry blossoms, plum blossoms, daffodils, grape hyacinths, hellebores—oh it’s a magical time! Rilla just noticed the neighbor’s clematis vines have climbed into the hedgehog tree. The tree (a dogwood) hasn’t yet begun to leaf out, but its bare limbs are clothed in a green shawl embroidered all over with starry white flowers.
Oh gosh, that makes me want a leaf-green shawl I could stitch all over with little white flowers. —Because that’s what I need: another stitching project. I have so many going at once right now! I spent some time reorganizing my studio this week, and now everything has a place again and I know what I’ve got in progress. A few things are quite close to being finished. Why am I still writing? There’s stitching to be done!
The other day at a singing party, a poet friend mentioned that she feels like fall is the beginning of the new year, not January 1st. Because of ingrained back-to-school associations, we agreed, but also—the brisk air rising in your lungs, quickening your pace; the freshened world beckoning you back after the air-conditioned hibernation of summer. I feel it today, the sense of beginnings: the yellow buses bustling along the narrow streets, fifty-cent composition books at the drugstore, apples red and ready on my neighbor’s tree. When does an apple’s life begin? Seed, blossom, first sweet bite?
I spent August stitching, mostly—finishing embroidery projects begun earlier in the year, then feverishly needling a cross-stitch lion for Rose’s 21st birthday, and then this past week, at a pace both leisurely and obsessive, working my way through Rebecca Ringquist’s Stitch-a-Day Sampler class on Creativebug (affiliate link). I’d noticed on Instagram that she was having a seconds sale on some of her Dropcloth Samplers, so I snapped up a Drawing Stitches sampler for five dollars and commenced using up the shortish strands of floss left from other projects. And fell in love with filling stitches: battlement, cloud, brick and cross, trellis.
As I stitched, a project shaped itself in my mind: a series of small pieces on a particular theme—too new to say more about, and it’s going to stretch my drawing skills past their comfort zone, but (like Lottie in Enchanted April, which I watched for the umpteenth time one Saturday as I stitched) I see it. It’s strange and exhilarating to have a creative vision fall from the tree fully-formed like a ripe apple—that’s not at all how writing a book works, where I have to card and spin the thread before I can stitch a row of words together.
I had everything I needed for this project on hand, except the right fabric. I’ve borrowed Sarah Benning‘s trick of using old, raggedy bedsheets for embroidery pieces, but the green one in my scrap pile isn’t quite right for what I mean to do. I was planning to scour some thrift shops when an unexpected treasure fell into my lap from Nextdoor—a neighbor three streets over offering a giveaway bag of linen and cotton scraps left from sewing projects. “Most pieces around six by six inches,” her notice read, and I gasped. Astonishingly, the next ad down—same neighbor!—was for free river rock. She has a few beds of stones she wants to replace, and she encouraged neighbors to come by and fill a bucket or barrow. I say “astonishingly” because that very morning I’d collected two or three smooth stones from around our yard and given them to Huck in a pan of soapy water to be washed and then painted in bright colors for edging our flowerbeds. If you happen upon any more stones like this in the yard, I’d told him, grab them for me because I need lots.
Now, thanks to this generous neighbor, I do have lots, a pail full, so our winter garden will be as bright as our spring, summer, fall. And in my studio there’s a bag of linen, blue, brown, cream, white, in strips and squares and odd shapes left by sleeves or pant legs. Even a few pockets, stitched, cut away, discarded, rediscovered and bulging with possibility. Happy new year, indeed.
If anybody says the word “August” to me I shall scream, ’Enry ’Iggins, I shall scream. It’s simply Not Possible we are almost there.
School doesn’t start for my rising 9th grader (!!! — now it’s your turn to shriek at the passage of time) for another month, but the rise of restlessness and quarreling among my smallest fry signaled to me that it was time for the tide to come back in. We picked up some dropped threads this morning—the Shakespeare speech they were learning in June (which I was pleased to see they remembered in full, so now I get to choose the next one); our German lessons; the study of ancient counting systems that Rilla is so enjoying. “Who knew I would be SO INTO numbers?”—/endquote.
And we began the second Penderwicks book. I had a different readaloud in mind but I was shouted down. “No offense to your choice, Mom,” I was assured. “It’s just…I mean, the Penderwicks.”
Indisputable logic. We’re on Chapter 3 of Gardam Street now.
Huck is clamoring for a return to Poetry Teatime (our July Tuesdays were full of misadventure), so that’s tomorrow. And if the heat breaks, I’d like to get them doing some baking once a week. I miss baking bread. Ooh but also! A German bakery is opening in our neighborhood! I may be a wee bit excited.
I read approximately one zillion Mary Stewart novels in June and early July, and then I completely forgot how to read. No wait, that’s not accurate—I read two entire Jean Webster novels on the plane to and from San Diego. But I got home a week ago and I’ve been floating from first page to first page ever since, like a butterfly sampling nectar and not finding anything quite satisfactory. Which is ridiculous, given the size of my TBR pile, not to mention the queue on my Kindle. Hundreds of options. I keep pulling out stacks and then…not committing to anything.
I’ve been steady at art, though, and that’s not nothing. Drawing or painting almost every day, and quite a bit of embroidery. This topic requires pictures but I can’t be bothered just now, please understand. I’m trying my long ago (so very long ago!) trick of using a quick blog post (timer set for twenty minutes) as a transition between the homeschooling mom and writer-with-a-deadline parts of my day. I daren’t go a minute over.
But here—three people to visit for gorgeous needlework pictures and patterns:
• Liz at Cozyblue Handmade
• Wendi at Shiny Happy World
• Rebecca at Dropcloth Samplers
There you go.