Do You Know What an Eggcorn Is?

Via Elizabeth at Charlottesville Words: The Eggcorn Database.

The word eggcorn was coined collectively by the linguists who write at the excellent group blog Language Log.
Linguists collect usage examples. Unlike language teachers or the often
self-styled grammar experts who complain in the press about the decay
of English, they are not picky: the actual, real-life use is what
counts, and the most interesting bits — those that might reveal
something about how real people apprehend their language — often
stretch the received rules of correctness.

In September 2003, Mark Liberman reported (Egg corns: folk etymology, malapropism, mondegreen, ???)
an incorrect yet particularly suggestive creation: someone had written
“egg corn” instead of “acorn”. It turned out that there was no
established label for this type of non-standard reshaping. Erroneous as
it may be, the substitution involved more than just ignorance: an acorn
is more or less shaped like an egg; and it is a seed, just like grains
of corn. So if you don’t know how acorn is spelled, egg corn actually makes sense.

Other examples of eggcorns are:

"for all intensive purposes"

"just desserts"

"here, here" (instead of "hear, hear")

"coming down the pipe"

The aforementioned Elizabeth gets credit for spotting a new eggcorn in common usage, and it is now included in the dictionary: "half-hazard."

Eggcorns are different from malapropisms, which can also be fun to watch for. A malapropism is a word used in place of the correct word, where the substitution sounds similar to the intended word but means something vastly different, often resulting in quite comical sentences. A famous example is the line uttered by Curly of the Three Stooges: "I resemble that remark!"

(The link takes you to WikiPedia, where there are many more examples of malapropisms and eggcorns, including a malapropism that made me laugh out loud: "New Scientist also reported the first-ever malapropism for
"malapropism", when, having become aware of his error, the office
worker apologized, saying he had committed a "Miss Marple-ism."  No doubt he was thinking of Mrs. Malaprop, the character in Richard Brinsley Sheridan’s play, The Rivals, whose comical linguistic errors gave rise to the term.)

So a malapropism is a wrong word used in place of a word that sounds similar, but not identical, and has a totally different meaning. An eggcorn is a substitution that sounds the same or almost the same as a word or phrase—so similar, and making just enough sense, that it often passes into common usage: "blatantly obvious" instead of "patently obvious."

Don’t you just love the English language?

Writing Contest for Kids

Calling all young wordsmiths! Children’s book author Tabatha Yeatts is holding a writing contest for kids. Can you tell the story behind the picture at that link? Entries due April 1, 2007.

And how cool does Tabatha’s book on forensics sound??

Language Arts

Kristie asks:

One quick question…
Language arts…looking at your day, do your kids write, do dictation, read etc. or is this in tides (besides the reading, it is obvious that is the lifestyle in homes where literature is loved..)

I can tell you what we do, but I’m not sure I’m the best person to go to for advice on this subject because I think Scott and I tend to take a lot for granted when it comes to helping our children become good writers. Writing is a way of life around here. The kids see us writing, read our writing at various stages of completion, and hear a lot of talk about story structure, characterization, and revision. It’s difficult for me to parse out exactly what they’re learning. It’s like trying to pick onions out of your soup: they’ve already imparted their flavor to the broth.

So that’s the disclaimer, but here are some things we have done. First and by far the most important: the reading aloud. I absolutely cannot emphasize strongly enough the importance of reading aloud, lots and lots and lots, even after the child is a fluent and eager reader herself. Just keep picking books a little beyond her reading ability; keep stretching her powers of comprehension. This is how to expand the vocabulary and instill a sense of what ‘sounds right,’ which takes one a long way toward the mastery of correct grammar.

Next most important (in my opinion): Narration. Even at my unschooliest, I am an advocate of gently eliciting narrations from your children. Get them to tell a story back to you after you’ve read it aloud, or after a child has read it to himself. “Tell me what you remember,” “Tell me everything you know about volcanoes,” “What happened to Tintin after he got on the boat?” Narration improves the memory and accustoms the speaker to putting events and ideas into words.

Charlotte Mason recommends waiting until age ten or so to begin asking the child for written narrations. Until that point, all narration is oral. When Jane was little, I did (as many homeschooling moms do) a lot of transcribing the narrations she dictated to me; I printed them out, got her to illustrate them, put them together in a notebook. I know this works beautifully for a lot of people, and I don’t want to discourage anyone from doing it if it brings joy to you and your child. But I’ll say this: don’t feel obligated to write down your child’s oral narrations. Don’t feel like you have to make a notebook or else you’re not doing it properly. After a year or two of compiling Jane’s narration notebook, I realized the whole process had become for us an exercise in creating a product. Jane was beginning to be proud of her notebook, or perhaps “prideful” is a better word; she had seen me show it off enough times that she too began to view her work as something to be shown off, something done for the purposes of impressing one’s friends and relations. I was horrified by this little epiphany. Of course it was completely my fault. I ditched the habit of typing out her oral narrations; for a time, I ditched narrating altogether. When we returned to it, it was to the simple Charlotte Mason method of asking the child to “tell it back”—no notebook, no product to display.

What I found that was that in addition to curing our little show-off problem, this took away the pressure that had turned narration into a burden. No longer was it necessary for me to be prepared to scribble down her words as fast as she said them: I could listen to her narrate with a baby in my arms. And instead of the type—print—illustrate—bind production line, narration could lead to discussion. The whole experience became warmer, richer, and her narrations improved. Her memory improved; her appetite for ideas increased. I’d read aloud, she’d tell it back, we’d chat about the people in the stories and the problems they encountered.

So this is how narration works in our house today. Rose is narrating now, too, and Beanie frequently chimes in, unsolicited. When Jane turned ten I began asking for occasional written narrations. Currently she is writing two or three a week. I give her something to read, a chapter of Famous Men of Rome, perhaps, and ask her to read it only once, carefully, and then write out everything she can remember. We go over any spelling or grammatical errors together.

I don’t use spelling or grammar curricula; I simply keep an eye on what sort of mistakes the children make and offer bits of instruction as indicated. (And of course grammar comes up in our Latin and ASL studies.) Rose, however, is one of those workbook-loving kids, so I keep a spelling workbook on hand to satisfy her occasional cravings for nice little blanks to fill in.

We go through spells of doing copywork, all of us: if the children see me taking the trouble to copy out quotes into my commonplace book, they become interested in doing it themselves. I encourage them to record their favorite poems, but I very seldom require it. I find that supplying them with nice notebooks and enticing gel pens is incentive enough.

As for writing curricula, I have reviewed many of them and have disliked most. Scripted writing exercises leave me cold. The program I do like is BraveWriter; you can read my thoughts on that here. I have just received a copy of Classical Writing (the Homer book) and will talk more about it after I’ve had a chance to read it (and work with it) a bit.

Last thing: we are big fans of word games around here! Mad Libs, Scrabble, crossword puzzles, riddles, and so on. And Schoolhouse Rock!

Am I a Huge Geek for Thinking This Is Just Too Totally Cool?

Capital Community College Foundation offers a sentence diagramming tutorial on its website, including an extremely cool Power Point presentation you can download. For free. Diagramming never made my heart go pitty-pat before, but I think I’ve just been swept off my feet.

Literally Laughing Out Loud

Classical Home has compiled a list of blogs dedicated to grammar and punctuation gaffes. Funny stuff!