British librarians recently named a list of thirty books all adults should read before they die.
Here’s the list. I’ve read the titles in bold.
To Kill a Mockingbird by Harper Lee
The Lord of the Rings Trilogy by JRR Tolkien
1984 by George Orwell
A Christmas Carol by Charles Dickens
Jane Eyre by Charlotte Bronte
Pride and Prejudice by Jane Austen
All Quiet on the Western Front by E M Remarque
His Dark Materials Trilogy by Phillip Pullman
Birdsong by Sebastian Faulks
The Grapes of Wrath by John Steinbeck
The Lord of the Flies by William Golding
The Curious Incident of the Dog in the Night-time by Mark Haddon
Tess of the D’urbevilles by Thomas Hardy
Winnie the Pooh by AA Milne
Wuthering Heights by Emily Bronte
The Wind in the Willows by Kenneth Graham
Gone With the Wind by Margaret Mitchell
Great Expectations by Charles Dickens
The Time Traveller’s Wife by Audrey Niffenegger
The Lovely Bones by Alice Sebold
The Prophet by Khalil Gibran
David Copperfield by Charles Dickens
The Alchemist by Paulo Coelho
The Master and Margarita by Mikhail Bulgakov
Life of Pi by Yann Martel
Middlemarch by George Eliot
The Poisonwood Bible by Barbara Kingsolver
A Clockwork Orange by Anthony Burgess
A Day in the Life of Ivan Denisovich by Alexander Solzenhitsyn
Like Ms. Mental Multivitamin, to whom I tip my hat for the link, I find several of the choices to be puzzling. I loved The Time-Traveler’s Wife but I don’t think I’d put it in the “read before you die” category. Same for Life of Pi. I’d have picked A Tale of Two Cities over Great Expectations. And where is Toni Morrison on the list? Or Faulkner and Wharton? Or Fred Chappell? Well, it is a British librarians’ list, I suppose.
This list also put me in mind of a post I read a while back: How long does a book stay read? After perusing a different list of books, the author reflected:
Looking down the list, mentally adding up the number I’ve read, I came to several, Dickens’s A Tale of Two Cities, Louisa May Alcott’s Little Women and Scott Fitzgerald’s The Great Gatsby, to name but three, that I know I read as a teenager. I remember the experience of reading the book, the fact of reading the book, and in the case of A Tale of Two Cities I still have the exact copy of the book I read, but although I remember all that, I don’t know that I really retain much of the book itself twenty odd years later. I know the story lines and names of some of the characters in each of the three I’ve named because they are themselves well known, and have passed into the wider common culture outside the novel itself. But I’m reasonably confident that if I went back and re-read them I would find the books themselves almost unrecognisable.
I would have to say the same for several of the titles on the list above. As a matter of fact, I too reread Gatsby not long ago, for the first time in almost twenty years. I might as well have been reading for the first time a book I’d only heard vague hints about. The language, the richness of it, was wholly new. I had no memory of tasting those phrases and images before. It was like trying some kind of food, like chocolate or lobster, for the first time. No matter what one has heard other people say about it, the exact flavor is indescribable because it is unique. It, in fact, forms a basis of comparison for other foods. I could say that some other book has a Gatsby-like quality, but I can’t say Gatsby tastes like anything else I’ve ever tasted before.
I once ate a meal in an Afghan restaurant on the Upper East Side, a rice dish flavored with lemon, saffron, other spices unrecognizable to my suburban-America-trained palate, and, most shocking to my taste buds, rose petals. I can’t say I liked it exactly, but I was compelled to keep tasting, turning small bites over in my mouth in an attempt to understand and savor the strange flavors.
Last week I reread a Faulkner novel I hadn’t picked up since high school. Reading As I Lay Dying was like tasting that rose-petal and saffron dish, each word a grain of rice, complex and savory with an uncomfortable assault of flavors. I didn’t enjoy the meal—it was too rich, too much, too suffused with sorrow and pain—but I could not stop eating until I was done, and I felt awed and nourished by it afterward. I could feel the novel becoming a part of me, altering me, just as if one could actually feel food being broken down into its elements and absorbed into one’s body at a cellular level.
I know this was not the experience I had reading it in high school. This was a book that did not “stay read” for me. Nor was Gatsby. There are many others. It’s been over twenty years since I read Tess in 11th grade, though I did go on a Hardy jag shortly after college. I skipped Tess in that spree because I’d already read it. Now I remember the bones of the plot and a pervasive sadness. That’s all. I couldn’t speak about it with any astuteness nowadays; I’d have to reread it. And if I hadn’t read Winnie the Pooh as an adult, I’d have missed out on half its charm.
I’ll have to think about what I read in high school that stayed read. Some Flannery O’Connor short stories come to mind. Pygmalion. Midsummer Night’s Dream. I do think The Grapes of Wrath has stayed read for me, but not Great Expectations (which I yawned through in 10th grade, and am currently reading to Jane and delighting in every word) or (shudder) Billy Budd.
The Merry Widow Waltz
69 days and counting
day three: dust
Best. Review. Ever.
I suppose they do look like candy