February 16, 2015 @ 9:28 pm | Filed under: Art
On Twitter, Kim asked if I had any advice for a family getting started with sketching and art journaling. Did I ever!
I’ve Storified the conversation, if you’d like to see how it unfolded, but I’ll recap it here as well.
— Kim (@ttfhim) February 17, 2015
My replies below, expanded a bit. Points #6 and 7 are the most important.
Suggestions? Yes, lots!
1) Koosje Koene’s Draw Tip Tuesday videos. She also offers classes in drawing and art journaling. (Here’s a post I wrote about her videos in November.)
2) Sign up for a free two-week trial at Creativebug and take Dawn Devries Sokol’s Art Journaling class and Lisa Congdon’s Basic Line Drawing. I wrote about how much Lisa’s class inspired me in my “Learning in Public” post.
3) A bunch of books to inspire you: Lynda Barry’s wonderful Syllabus; Danny Gregory’s new Art Before Breakfast (it’s a delight; I’ll be reviewing it soon) and the much-beloved The Creative License; the Illustration School series; the “20 Ways to Draw a…” series; Claire Walker Leslie’s Keeping a Nature Journal; the Usborne “I Can Draw” series. And a few more recommendations in this older post.
5) Cathy Johnson videos. Rilla loves Cathy’s art and her gentle delivery.
6) The most important thing! Really just dive in and do it—if you do it, the kids will follow. Mine truly love to see me working & playing in my sketchbook. Actually, Rose was just commenting on it today, before this Twitter conversation occurred. She said she has really enjoyed watching me start from scratch (so to speak) and work at learning to draw. They all seem to love to see me trying, making mistakes, learning, improving. My progress excites them almost as much as it does me. 🙂
7) The REALLY most important piece of advice I can give: Allow plenty of TIME and room for mess. Many parents say “I want my kids to be creative” but can’t tolerate mess. Art is messy. Creativity is messy. You need space to leave work out and return to it. Supplies in easy reach. And big spans of time for messing around, staring into space, doodling, doing things that look unproductive. I can’t emphasize enough how important this is to any creative process. Time and room.
When I’m writing a novel, my most intense work happens while I look like I’m doing nothing at all. Sitting and staring blankly, chewing my nails, or filling an entire page with tiny lines and spirals. This is my body getting out of the way so my brain can get down to the real work of creating.
And for the visual arts, these totally tactile pursuits, you’ve got to have a place to spread out your paints, your pencils, your small objects that make you itch to draw. You know what’s nice and tidy and doesn’t clutter a room? A cellphone. If you want them to spend less time staring at screens (I’m not knocking screens here, you know I love me some screen time), you’ve got to grant them some real estate.
With that in mind, I make a point of keeping art supplies in easy reach. We have a dedicated kitchen drawer for placemats, paper, paint supplies so even the youngest kids can help themselves. Jars of colored pencils & crayons on table, a sharpener on the kitchen counter, a stack of art books on the shelf nearby. I want them to have constant free access to art materials. It’s also a good idea to keep a bag packed for outings. I described ours in this old GeekMom post.
8) And what materials do I recommend? For littles: good paper, cheap paints. I elaborated on my reasons in this post from several years back:
When my older kids were little, I read lots and lots about the benefits of providing children with really high quality art supplies. In some cases, I still agree: Prismacolor colored pencils are worlds better than your drugstore variety. The lead is so creamy and blendable. They’re expensive but they last a long time—we’re on our second set of 72 colors in over ten years.
But watercolors? Real watercolor paper makes a huge difference, but it’s expensive; that’s one reason I was so taken with Jenn’s idea to cut it into smaller, postcard-sized pieces. But when it comes to the paints themselves, well, I’ve been the high-quality route, absorbed the persuasive literature that talks about rich pigments and translucent hues; bought the pricey tubes of red, yellow, blue; collected jars for mixing colors; watched my children squeeze out too much paint and gleefully swirl it into an expensive puddle of mud-colored glop.
Lesson learned. The 99 cent Roseart or Crayola sets work just fine. In fact, dare I say I think my preschoolers like them better? Mixing colors is fun, but there is nothing quite so appealing as that bright rainbow of pretty paint ovals all in a row. When Wonderboy and Rilla make a mess of their paints, Jane cleans them up with a rag and they’re practically good as new.
For older kids—and for yourself!—my advice is to skip the student-grade watercolors and go right to artist quality. More expensive but the difference is immense. You can use the money you saved buying cheap paints for the preschoolers. 😉
We’re still addicted to Prismacolor pencils—no other brand will do for me. And I like Micron pens for line drawing. The ink is waterfast so you can paint over it (like my pumpkins in yesterday’s post). I also picked up a few gel pens—white, silver, and gold—and Rilla has had unbelievable amounts of fun with them. I love the white one for writing on a dark surface, like on the tag of my pencil pouch here.
Don’t feel like you have to have millions of fancy supplies right off the bat. Look at what Andrea Joseph can do with a simple Bic pen. (Seriously, this blew my mind.)
The sketchbook I just filled up was a Canson Mixed Media, 7×10 spiral bound. The size worked really well for me and the paper takes watercolor okay (not perfectly but well enough for where I am right now). I also have a small Moleskine journal with watercolor paper, but it feels so special I find myself hesitant to use it and reaching for the mixed media book instead. (I’ve just started a new one, same as the one I filled up.) That’s my real playground, the place I’m not afraid to (in the words of my personal hero, Ms. Frizzle) “Take chances and make mistakes!” But I’m getting braver every day and the lovely paper in that Moleskine is calling to me.
I’ve also found I love doing my first rough sketches with a brown watercolor pencil, very lightly. I go over it with ink afterward and then, when I paint, the pencil just blends in and becomes shadow. I don’t sketch this way every time, but for some reason it seems to free me up. I’m more daring with this pencil. It takes me to a confident place between graphite pencil—with its sometimes overly tempting eraser—and straight-to-ink, which is sometimes exhilarating and sometimes terrifying. The brown Aquarelle feels like my co-conspirator. I don’t know how else to describe it. I have even starting making some first tentative stabs at portrait drawing, thanks to this pencil. (I tried a selfie-a-day project for a week. None of them looked much like me, but this attempt on day seven could maybe be a cousin?)
Guys, I still feel so shy about posting my drawings! I mean, I have so many friends who make their livings as illustrators—heck, one of them even just won the Caldecott! (GO DAN! SO THRILLED!) Do you know how nerve-wracking it is to know pros are looking at your rookie work? Of course you do. Because what I’ve learned is everyone feels that way. Even my most brilliant artist friends look at some other person’s work and sigh wistfully, wishing they’d made that piece. I’ve seen it happen time and again. So bit by bit I’m getting brave enough to share my baby steps.
9) Okay, so you have your lovely sketchbook and drawing implements, now what to draw?? Well, I guarantee Koosje Koene’s videos mentioned above will keep you and the kids busy for a good long while. There’s also this wonderful Everyday Matters Challenge list at Danny Gregory’s blog. 328 suggestions, so you’re just about good through 2016. And Kortney tipped me off to this most excellent Lynda Barry post (in Rilla’s words, I simply adore her) about keeping a visual diary.
10) And a last tidbit I almost forgot: A most beloved activity here (especially for Rilla and me) is to listen to audiobooks while sketching. Many of my happiest hours have been spent this way. We’re especially fond of Roald Dahl while drawing. Nobody brings on the whimsy like Dahl.
Eric Carle and the Story Behind ‘Brown Bear, Brown Bear’
Mix Equal Parts Cornstarch and Water, Add Food Coloring
2015: Year of Paper
Saturday Morning Rabbit Trail