Archive for the 'Poetry' Category
January 15, 2010 @ 9:08 am | Filed under: Poetry
For Christmas, Scott gave me the Stephen Mitchell translation of Rilke’s Duino Elegies and The Sonnets to Orpheus. Mitchell puts the original German side by side with his English translation. I read just enough German to be tantalized by this, puzzling out phrases and flicking my gaze to the facing page to see how Mitchell has put it.
Rilke’s language reminds me, curiously, of Madeleine L’Engle’s description of a dolphin’s skin in A Ring of Endless Light (via her young poet, Vicky Austin): “resilient pewter.”
From The Duino Elegies, “The First Elegy,” by Rainer Maria Rilke, this translation by A. S. Kline.
Who, if I cried out, would hear me among the Angelic
Orders? And even if one were to suddenly
take me to its heart, I would vanish into its
stronger existence. For beauty is nothing but
the beginning of terror, that we are still able to bear,
and we revere it so, because it calmly disdains
to destroy us. Every Angel is terror.
And so I hold myself back and swallow the cry
of a darkened sobbing. Ah, who then can
we make use of? Not Angels: not men,
and the resourceful creatures see clearly
that we are not really at home
in the interpreted world. Perhaps there remains
some tree on a slope, that we can see
again each day: there remains to us yesterday’s street,
and the thinned-out loyalty of a habit
that liked us, and so stayed, and never departed.
Oh, and the night, the night, when the wind full of space
wears out our faces – whom would she not stay for,
the longed-for, gentle, disappointing one, whom the solitary heart
with difficulty stands before. Is she less heavy for lovers?
Ah, they only hide their fate between themselves.
Do you not know yet? Throw the emptiness out of your arms
to add to the spaces we breathe; maybe the birds
will feel the expansion of air, in more intimate flight.
This week’s Poetry Friday roundup can be found at Great Kid Books.
November 6, 2009 @ 12:53 pm | Filed under: Books, Poetry
“It’s rather an unusual case,” said Madam Chairwoman blandly. “The prisoner is a poet. You will all, I know, cast your minds back to the many poets who have written favorably of our race—’Her feet beneath her petticoat, like little mice stole in and out’—Suckling, the Englishman—what a charming compliment! Thus do not poets deserve specially well of us?”
—from The Rescuers by Margery Sharp
The esteemed and sleek-whiskered Mouse Chairwoman is quoting from “Ballad Upon a Wedding” by Sir John Suckling, one of the English “Cavalier poets,” those dashing, witty, and sensitive 17th-century Carpe Diem fellows who came out in support of King Charles I against Parliament and the Puritans. Suckling wrote a number of plays which I have not read (“The Goblins” sounds interesting) and a good deal of poetry, which his contemporaries seemed to enjoy quite a lot.
Here he is in a portrait by Van Dyck.
Suddenly I see where Johnny Depp found his inspiration for facial hair.
You could rock those long curly locks as well, Johnny. The off-the-shoulder cape, not so much.
“Ballad upon a Wedding” is light and a little snarky and a little bawdy, and reads a bit like a blog entry if blogs were written in meter and rhyme. Here’s the bit Madam Chairwoman liked, part of a description of a young bride:
Her feet beneath her petticoat,
Like little mice, stole in and out,
As if they feared the light:
But oh! she dances such a way
No sun upon an Easter-day
Is half so fine a sight.
And I think this is rather sweet:
O’ th’ sudden up they rise and dance;
Then sit again and sigh, and glance;
Then dance again and kiss:
Thus several ways the time did pass,
Whilst every woman wished her place,
And every man wished his.
But being sweet isn’t really Suckling’s aim in this poem; he’s much more focused on the wedding-night feeling in the air, winkwinknudgenudge, and is also mightily enjoying poking fun at the folks he’s describing—calling out the bee-sting on the bride’s chin is kind of a cheap shot.
As mouse-appreciating poems go, this one doesn’t hold a candle to the work of auld Robbie Burns. And then there’s our favorite book about a poet with a proper appreciation of mice: The Mouse of Amherst by Elizabeth Spires.
(That’s a four-year-old post and contains links to my Amazon Affiliate account, which means if you click through and purchase something I get a small referral fee. I don’t do affiliate links anymore, but I’m not going back through old posts to remove them, so here’s your disclosure notice.)
This week’s Poetry Friday roundup can be found at Wild Rose Reader.
October 17, 2009 @ 7:56 pm | Filed under: Art, Connections, Games, Music, Poetry
Another week full of drafts and snippets, words squeezing into the teasing interstices of busy days. Most of what I jotted down had to do with the subjects that got their hooks into us: a chronicle of paths wandered, links explored.
(detail)
During our Balboa Park day last week, Jane strolled through the Timken Museum of Art. One piece she found particularly compelling was Benjamin West’s Fidelia and Speranza, painted in 1771. West was a friend of Benjamin Franklin (his portrait of Franklin’s famous moment with the key and the kite is a hoot). Jane was struck by the image of the girl (Fidelia) holding a chalice with a serpent looking out from it. A little digging informed us that the sisters are figures from Spenser’s The Faerie Queene: Faith and Hope, who reside in the House of Holiness to which Una (Truth) guides the Red Cross Knight.
XII
Thus as they gan of sundry things devise,
Loe two most goodly virgins came in place,
Ylinked arme in arme in lovely wise,
With countenance demure, and modest grace,
They numbred even steps and equall pace:
Of which the eldest, that Fidelia hight,
Like sunny beames threw from her christall face,
That could have dazd the rash beholders sight,
And round about her head did shine like heavens light.
XIII
She was araied all in lilly white,
And in her right hand bore a cup of gold,
With wine and water fild up to the hight,
In which a Serpent did himselfe enfold,
That horrour made to all that did behold;
But she no whit did chaunge her constant mood:
And in her other hand she fast did hold
A booke, that was both signd and seald with blood:
Wherin darke things were writ, hard to be understood.
XIV
Her younger sister, that Speranza hight,
Was clad in blew, that her beseemed well;
Not all so chearefull seemed she of sight,
As was her sister; whether dread did dwell,
Or anguish in her hart, is hard to tell:
Upon her arme a silver anchor lay,
Whereon she leaned ever, as befell:
And ever up to heaven, as she did pray,
Her stedfast eyes were bent, ne swarved other way.
Well, that led to a lot of Spenser-related digging. We can’t undertake to read much of Faerie Queene right now; we dove into The Odyssey this month and I think one epic poem at a time is enough!
The week’s other big research project (for various children) had to do with Tamagotchis—the craze has resurfaced here, after a year of dead batteries. Growth charts, game strategies, daily logs: it’s like living in a research lab. One of the sites that turned up on our search was this critical analysis of Tamagotchi use, which I found quite interesting, especially this bit:
I was reminded of Professor Ken Goldberg’s Tele-garden, a web-based project where users can plant and water seeds in a small garden through the use of a remote robotic system. In a presentation on the project, Professor Goldberg mentioned a shift from the Paleolithic Hunter/Gatherer state of the World Wide Web (brief forays into the world of technology for the purpose of apprehending some piece of information) and the Neolithic Husbandry model supported by the project (where users must devote sustained interest and effort to foster growth).
The Tamagotchi is indicative of a similar shift in video game modeling. The majority of video games (especially popular video games) hinge on a model of conquest and succession – temporally limited tasks with set goals attainable through skill and reflexes. Key examples range from Pac Man and Galaxians to Super Mario Brothers and Mortal Kombat. Player/users identify with the “main character” of a simple narrative – “destroy or be destroyed”. Having completed a set amount of destruction, the player/user rests for a moment before taking on a progressively difficult level.
Notable exceptions exist. The most popular of these is the Maxis line of Sim- products, including SimCity, SimCity 2000, SimEarth, SimAnt, and others. Here we see the stirrings of the “Neolithic shift”. The user is responsible for the growth and maintenance of a town (or world, or ant colony, or whatever) and the ultimate goal is to simply “flourish”.
What do you think? Do you prefer Hunter/Gatherer internet experiences, or Neolithic Husbandry?
Speaking of hunting, I fell into a research project of my own last night, as you know if you’re my friend on Facebook or Twitter (which seems to be a synthesis of the hunter/gatherer and husbandry models, if you ask me). For fifteen years I have wondered which version of the Te Deum was the one referred to by Sheldon Vanauken in A Severe Mercy. Vanauken writes:
St. Ebbe’s sang the Te Deum to a setting that made a triumphant proclamation of the line: “Thou art the King of Glory, O-O-O-O-O Christ!”—the O’s ascending to the mighty ‘Christ!’
St. Ebbe’s is the Anglican church in Oxford the Vanaukens attended around 1950. Between YouTube and ChoralWiki, I have investigated, well, scores of scores (ba dum bum), looking for that particular setting of the Te Deum. A commenter at the MusicaSacra forum suggested it might be Benjamin Britten’s Festival Te Deum: that’s the only score I’ve found that has ascending O-O-Os, so perhaps he is right.
Here it is on YouTube, performed at the University of Utah. I must say I’m partial to the setting in C major by Charles Villiers Stanford. The Elgar, too, is lovely and stirring.
But most lovely and stirring of all is this piece a Twitter responder reminded me of: not the Te Deum, but rather the Non Nobis. I remember how I was moved to tears by this music (and this scene) when I saw Branagh’s Henry V several years back. I meant to buy the soundtrack (score by Patrick Doyle) but forgot all about it. How is that possible? This—this is unforgettable.
September 10, 2009 @ 8:34 pm | Filed under: Books, Connections, Fun Learning Stuff, Poetry, Tidal Homeschooling
What we read today (an excerpt; “the astronomer” is a boy named Dick, who is stargazing with his sister, Dorothea):
“Got it,” he said. “Just over the top of the hill. Come and see it.”
Dorothea joined him. He pointed out the bright Aldebaran and the other stars of Taurus, and offered her the telescope.
“I can see a lot better without,” said Dorothea.
“How many of the Pleiades can you see?”
“Six,” said Dorothea.
“There are lots more than that,” said Dick. “But it’s awfully hard to see them when the telescope won’t keep still. How far away does it say the Pleiades are?”
Dorothea went back to the fire and found the place in the book.
“The light from the group known as the Pleiades (referred to by Tennyson in ‘Locksley Hall’)…”
“Oh, hang Tennyson!”
“The light from the group known as the Pleiades reaches our planet in rather more than three hundred years after it leaves them.”
“Light goes at one hundred and eighty-six thousand miles a second,” said the voice of the astronomer in the darkness.
But Dorothea was also doing some calculations.
“Shakespeare died 1616.”
“What?”
“Well, if the light takes more than three hundred years to get here, it may have started while Shakespeare was alive, in the reign of Queen Elizabeth, perhaps. Sir Walter Raleigh may have seen it start…”
“But of course he didn’t,” said the astronomer indignantly. “the light of the stars he saw had started three hundred years before that…”
“Battle of Bannockburn, 1314. Bows and arrows.” Dorothea was off again.
But Dick was no longer listening. One hundred and eighty-six thousand miles a second. Sixty times as far as that in a minute. Sixty times sixty times as far as that in an hour. Twenty-four hours in a day. Three hundred and sixty-five days in a year. Not counting leap years. And then three hundred years of it. Those little stars that seemed to speckles a not too dreadfully distant blue ceiling were farther away than he could make himself think, try as he might. Those little stars must be enormous. The whole earth must be a tiny pebble in comparison. A spinning pebble, and he, on it, the astronomer, looking at flaming gigantic worlds so far away that they seemed no more than sparkling grains of dust. He felt for a moment less than nothing, and then, suddenly, size did not seem to matter. Distant and huge the stars might be, but he, standing here with chattering teeth on the dark hill-side, could see them and name them and even foretell what next they were going to do. “The January Sky.” And there they were, Taurus, Aldebaran, the Pleiades, obedient as slaves…He felt an odd wish to shout at them in triumph, but remembered in time that this would not be scientific.
—from Winter Holiday by Arthur Ransome,
one of the Swallows & Amazons books
Where it took us:
* We read the opening of “Locksley Hall,” a long and complex poem which I enjoyed thinking my way through later in the day. With the kids, I read and discussed the first several stanzas, all of us lingering especially over:
Many a night from yonder ivied casement, ere I went to rest,
Did I look on great Orion sloping slowly to the West.
Many a night I saw the Pleiads, rising thro’ the mellow shade,
Glitter like a swarm of fire-flies tangled in a silver braid.
* Of course after that we had to see the Pleiades. Discovered Google Sky. Oh. My. Goodness. Truly, we live in an amazing age.
* Spent a long time playing with Google Sky, looking up many constellations including all those mentioned in the Winter Holiday chapter. Rose told me the story of Orion being chased by the serpent, and we read the legend of the Pleiades, those seven sisters, daughters of Atlas. Beanie fetched D’Aulaire’s Greek Myths because both she and Rose wanted to read me several relevant passages.
* Hunted up our copy of Rey’s Find the Constellations and read about the different magnitudes of stars, among other things.
* Rose found Sirius, the Dog Star, her favorite star, says she, because she loves Diana Wynne Jones’s fantasy novel, Dogsbody, so.
“Here about the beach I wandered,” Tennyson’s poem continues, “nourishing a youth sublime / With the fairy tales of science, and the long result of Time…”
I don’t know about “sublime,” and we’d have to substitute “internet” for “beach,” I suppose, but yeah, it was a pretty nourishing morning.
Want more poetry? This week’s Poetry Friday roundup is at Wild Rose Reader.
Arthur Ransome, poetry friday, rabbit trails, Swallows & Amazons, Tennyson, Winter Holiday
September 1, 2009 @ 4:55 am | Filed under: Poetry
After I posted my Robert Pinsky story, I sent the link to Facebook and got this comment from Sally T., a Facebook friend I know through homeschooling—not writing—circles:
Heh — that would have been about the same time that I was poetry editor at Quarterly West, at the U of Utah. Robert Pinsky didn’t visit us, though.
To which I replied, hastily and with much excitement:
SALLY!!!!! I was one of the AWP Intro Award winners in poetry in 1993. My poem appeared in the Summer/Fall 1994 issue of Quarterly West. I just checked the masthead and you were one of the poetry editors! How’s that for a small-world moment?!
My poem was called “Lena, Waiting for the Mail,” pub’d under my maiden name, Melissa Brannon. It was my first published work.
Wow.
Seriously, wow.
Here’s the poem, if you’d like to see. Reading it now, I’m amused to see there’s a character named Mack—I must have a subconscious thing for that name. I wrote another poem once (before this one) called “Mrs. Mack.” There’s a Mack in my last Charlotte book, Across the Puddingstone Dam. And it occurs to me I’ve got another Mrs. Mack in the draft of my current work-in-progress—may have to rethink that one.
Lena, Waiting for the Mail
This time of day the split-rail fence
lays its long shadow in the road,
as far from the house as it ever gets.
Straight and mean, that shadow,
like train tracks heating up in the sun.
I’m always watching for the train.
Plenty of shadows in this yard, but no shade.
Janie and Mack crouching in the spare grass
behind me pour the dogs’ water out for mud.
The ground sucks it in, little snaps and hisses
in my ear. Eleanor wrote last time her ears
are pierced, had it done when she was four,
I can’t believe it, and she got diamonds
on her sweet sixteen. That what girls
like Eleanor call it. I bet it feels sweet to be them, curled
and black-lashed, wearing Pop’s last forty hours
through your earlobes. Davy, shouting, runs
three times around the house, gets as far as Mars
before Pop hushes him. Mack orders him to help
with the mudcastle. “Lena,” Mama calls,
“I wish you’d keep them quiet.”
Patrick McFadden wrote to say he “freefalls
from airplanes for fun.” He’s the only boy I write.
Pop thinks “Pat” is a girl. Pat loves the color blue, the smell
of coffee, and Bruce Springsteen. This mailman
will never show. Anita’s letter is due today,
and maybe Sabine Heyl’s. That fragile paper like the skin
you peel out of an open eggshell. Purple ink
like you’d write magic spells with—Janie’s blinking
back tears. Mama’ll kill me. “You kids come away
from the house,” I say. “I’ll tell you a story.” Can’t I tell
myself a good one: A girl with a hundred letters
spreads them flat like a quilt. She sticks them together
with Elmer’s since sealing wax is in short supply.
She climbs on and waves her hands in a spell.
The rustling paper rises like a prayer into the sky.
(Originally published in Quarterly West, No. 39, Summer/Fall 1994, Salt Lake City, UT.)
August 31, 2009 @ 8:10 am | Filed under: Poetry
I got to chauffeur him once. He gave a reading at UNC-Greensboro while I was an MFA student there—this would have been around 1992—and as poetry editor of The Greensboro Review it was one of my jobs to help get our visiting authors from place to place. In this case I was asked to pick Mr. Pinsky up at the Charlotte airport (I think it was Charlotte—it was about an hour away, I remember that) and drive him up to Greensboro for the reading. My classmate David Scott (now married to our fellow classmate, author Julianna Baggott, aka N. E. Bode of The Anybodies fame) came along for the ride. We picked Mr. Pinsky up on schedule and for once in my life, there were no misadventures of any kind on the trip.
(But— “Not in your car,” Scott is saying over my shoulder. “Tell me you didn’t take your car.”
Oh yes we did: my fabulous silver 1981 Isuzu Imark with the blue grafitti on the door. The one with no air conditioning. The poet’s Cadillac!)
Mr. Pinsky was warm and kind and voiced no complaints about the unluxurious mode of transport. I remember we spent most of the drive talking about gardening—at one point I told him about my habit of planting imaginary gardens in the places I passed around town, thinking out what I’d plant there if this or that bit of earth were mine, and he said that sounded to him like the making of a poem. Later, I tried to write that poem but it turned into something quite different—became a sort of comic sketch involving an elderly woman planting watermelons on the grounds of her church.
Now, looking back, I think the real poem lies somewhere in that car ride: the shabby silver car speeding past the kudzu and pine; the moist Carolina heat; the esteemed poet discreetly unsticking his skin from the cracked red vinyl of the seat; the young students of poetry hoping not to bore; the imagined gardens that never grew even in a poem…there’s something there. Robert Pinsky could find it, I’m sure.
MFA writing programs, Poetry, Robert Pinsky
August 28, 2009 @ 8:38 pm | Filed under: Poetry
It’s still (Poetry) Friday here on the West Coast.
The other day I mentioned a book I hadn’t been able to stop thinking about:
I wanted a few days to savor the novel I finished earlier this week: Lost by Jacqueline Davies, a spellbinding account of—well, the 1911 Triangle Shirtwaist Factory fire, sort of, but really that’s a backdrop to an achingly moving tale of loss and grief, from the point of view of a sixteen-year-old Jewish girl (whose narrative voice may be my favorite of the year so far) who works in the factory.
And Beth of Bookworm Journal commented:
Melissa, the book by Davies sounds very good — thank you for posting about it. I’m acquainted with the 1911 Triangle Shirtwaist Fire only through Robert Pinsky’s poem “Shirt.” You may know it already, but if not, I encourage you to google it (it’s on various websites). Truly an amazing poem, and might be a good accompaniment to the novel…
Before Lost, I was acquainted with the 1911 Triangle Shirtwaist Factory Fire primarily via a TV movie I watched as a girl—I remember so vividly the terrible image of a young Irish woman being urged by her desperate chum to jump out the window together before the flames devoured them, and the Irish girl sobbing that she couldn’t jump, she was Catholic and jumping was suicide and she wouldn’t do it, and the other girl stepping out the window as the Irish girl’s skirts caught fire. A horrible image. And would you believe that all this time, until I looked up the link for this post, I thought that movie was The Towering Inferno? Which entirely different film I must also have seen at some point—clearly I have conflated the two because I would have sworn Paul Newman was in the Triangle Factory movie, and now IMDB tells me he was part of Towering Inferno’s all-star cast, along with Steve McQueen, Faye Dunaway, Fred Astaire for goodness sake, and O.J. Simpson.
The film I’m remembering must have been this 1979 TV movie, The Triangle Factory Fire Scandal, featuring Tom Bosley, Stephanie Zimbalist, and Charlotte Rae. It won an Emmy for Outstanding Achievement in Hairstyling.
There is something terribly poignant about that thought. 146 people died in the Triangle Factory Fire, most of them young women trapped on the 9th floor of a building with flimsy fire escapes, no sprinklers, and no fire alarms. 68 years later, someone won an award for getting their hairstyles right on TV.
Robert Pinsky’s poem, “Shirt,” which I had not read until Beth directed me toward it (for which: thank you so much), captures that disconnect, that jarring history wrapped up in something so simple, so unnoticed, so miraculous when you stop and think about it, as a plain cotton shirt.
The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians
Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band
Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze
At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes—
The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out
Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.
(Read the rest at the Internet Poetry Archive.)
***
Today’s Poetry Friday is hosted by The Book Aunt.
Lost, poetry friday, Robert Pinsky, Triangle Factory Fire
May 15, 2009 @ 7:19 pm | Filed under: Nature Study, Poetry
(Poetry Friday visitors, Miss Dickinson awaits you at the bottom of the post.)
I mentioned I’ve become hooked on beekeeping blogs ever since reading Fruitless Fall. Here are a few of my favorites:
Hive Mind Bee Blog. A backyard beekeeper in Washington. I especially enjoyed his account of a swarm in his neighborhood:
When they’re flying in the air, there’s nothing you can do but watch, but when the queen lands, the rest of the swarm will land around her in a huge, sedate clump that you can put into a bucket or a box and put back into a hive. Julie made a quick call to Dawn of the Puget Sound Beekeeper’s Association, got some info on how to proceed, and we were back in business. I threw on some overalls and my bee shirt, grabbed a bucket and a spatula, and I’s ready for action. First, though, I stopped off at the school across the street where kids and parents were doing landscaping and upkeep on the grounds and let them know that we had a science fair moment, if they were interested. A couple of the moms gathered up a dozen or so 5 – 10 yr olds and they all trooped over to see the bees.
Honey Run Apiaries. Great pictures, thoughtful discussion, wry observations.
I recently read an 1858 book ‘Phelps Bee-Keeper’s Chart‘. The book is obviously horribly out of date and out of print (though it is available on-line). Though it is interesting none-the-less for several reasons. While it does cover a lot about honey bees, much of it is for the purpose of promoting the authors patented ‘Ohio Combination Bee-Hive‘ saying that he expects it to ‘ supersede all others’. Sadly, while it apparently claimed honors at the Ohio and other state fairs, his book was published 6 years after Lorenzo Lorraine Langstroth’s book ‘The Hive and the Honey Bee’, which details the bee hive most of us use today in the US and in other parts of the world.
Fruitless Fall discussed the rise of the Langstroth hive, so that was a neat connection for us. Amusing tidbit at the bottom of that post:
The running joke is that if you ask 5 beekeepers in a room a question, you will receive 6 different answers. Apparently this is one of the oldest beekeeping jokes on record. Phelps wrote nearly 150 year ago that ‘there is scarcely any subject on which such a diversity of opinion exists, as on the form and size of bee-hives, and the general management of bees.’
Linda’s Bees might be my favorite beekeeping blog so far. She writes from Atlanta and posts the most incredible pictures, really informative shots that let you see the action inside a hive. Her hives have fun names like Bermuda and Mellona (the Roman goddess of bees). Excellent sidebar full of links we’re exploring as time permits.
We rented this NOVA film about bees: Tales from the Hive. The cinematography was fairly stunning. The corresponding website has video of the different bee dances and an interview with the filmmaker about how he managed the breathtaking closeup shots of bees in flight.
The next step was to find out how I could fly with the bees, because they are fast. I told myself, if I can’t fly with the bee, then the bee has to fly with me—that is, with the camera, directly in front of the lens. It was like the work at a clockmaker’s. We used a pair of tiny tweezers to form a wafer-thin wire. We then tied the bee up with this—very carefully, because we did not want to harm the bee, and we wanted to make sure it had the freedom to move its wings. A special kind of arrangement enabled us to fix the wire to the camera.
The film was made in 2000, before the beginning of bee colony collapse and I think possibly even before the massive varroa infestation that has crippled so many hives in recent years.
My dear daddy sent me some cool links:
How to make a house for mason bees
Pursuit of the perfect pollinator
(Thanks, Dad!)
Since today is Poetry Friday, let me leave you with a little Emily Dickinson.
The Bee
Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry
Withstands until the sweet assault
Their chivalry consumes,
While she, victorious, tilts away
To vanquish other blooms.
Her feet are shod with gauze,
Her helmet is of gold;
Her breast, a single onyx
With chrysoprase, inlaid.
Her labor is a chant,
Her idleness a tune;
Oh, for a bee’s experience
Of clovers and of noon!
beekeeping, bees, Fruitless Fall, honeybees, poetry friday
April 17, 2009 @ 7:56 am | Filed under: Poetry
Scott just sent me the link to this LA Times article about the great Irish poet Seamus Heaney.
In a recent interview, Heaney said he was often asked what the value of poetry was during times of economic recession. The answer, he explained, is that it is at just such moments of crisis that people realize that they do not live by economics alone. “If poetry and the arts do anything, they can fortify your inner life, your inwardness,” Heaney said.
At first, that may seem like a quaint observation — one of those poet-as-holy-fool lines. Yet an effort to “fortify your inward side,” Heaney explained to another questioner, can act as a kind of “immune system” against material difficulties.
I have a collected Heaney and a collected Keats Yeats* in a basket by my rocking chair for those moments during the day when I need a little fortifying.
Even better is hearing Heaney read his poems aloud. That rich voice, oh my.
When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other’s work would bring us to our senses.
The Poetry Friday roundup is at Becky’s Book Reviews today.
*I typed Keats by mistake. I meant Yeats. I’m a rather ardent Keats fan, too, but his poems reside on a shelf, not in my rocking-chair basket. Somehow it’s the Irish poets I return to the most often, those wry observers, mouths quirked to one side. Their lush imagery and the obvious delight they take in hunting the right word, like wall-builders seeking the perfect stone to fit into the next spot, knowing all the while that the wall won’t keep the evils out entirely but will, for a time, protect a quiet space of peace. More fortification, I suppose.
April 1, 2009 @ 6:28 am | Filed under: Poetry
No foolin’—Gregory K. starts his month-long poetry fiesta with a bang: a brand-new, ne’er-before-seen poem by this country’s first Children’s Poet Laureate, the great Jack Prelutsky. You just gotta book on over and see!
