Archive for March, 2010

“Sometimes I think p’raps I’m a bird”: Naturalists in Literature

March 7, 2010 @ 4:43 pm | Filed under: ,

“Charles could entertain himself for hours just by thinking, or by observing birds, or watching sticks and leaves float down a stream. He made notes as he watched the birds, writing down what they did, how they behaved. And like many young boys, he was a collector. He collected shells, seals, coins, and minerals. He studied them and organized them in kind—in the tradition of natural historians.”

—from Charles and Emma: The Darwins’ Leap of Faith by Deborah Heiligman

This passage about the young Charles Darwin made me think at once of Callie Vee, the spunky young naturalist who won our hearts in The Evolution of Calpurnia Tate by Jacqueline Kelly. And that got me thinking in turn about other literary naturalists we love. The impetuous, angry-eyed Dan comes to mind, Jo’s “firebrand” from Little Men. And of course there is Dickon from The Secret Garden: an unschooled naturalist to be sure, a student of nature by way of being a friend to every growing thing. Who else? I know I’m forgetting some favorites.

Sam from My Side of the Mountain? He’s more a survivalist than a naturalist, though certainly a student of nature. Anne Shirley’s beloved teacher, Miss Stacy, gets her pupils out collecting samples for nature study—Miss Stacy has long struck me as a sort of Charlotte Mason-style educator. The timing would be about right, but I have no idea whether Miss Mason’s principles traveled across the Atlantic to eastern Canada.

I thought it might be fun to collect some quotes about these literary naturalists; I’ll start off with a few below and if you have suggestions, please chime in!

Here’s Miss Calpurnia Tate, discovering the joys of recording nature observations in her Notebook-with-a-capital-N:

Before I went to bed that night, I took a can full of oats from the stable and dribbled them along the drive. I wrote in the Notebook, How many cardinals will we have next year, with not enough to eat? Remember to count.

I next wrote in my Notebook that we had two different kinds of grasshoppers that summer. We had the usual quick little emerald ones decorated all over with black speckles. And then there were huge bright yellow ones, twice as big, and torpid, so waxy and fat that they bowed down the grasses when they landed. I had never seen these before. I polled everyone in the house (except Grandfather) to find out where these odd yellow specimens had come from, but nobody could tell me.

(Callie’s quest to find out becomes the catalyst of a real relationship with her grandfather, himself an ardent naturalist, who has heretofore been only an intimidating and distant presence in her life. When no one else in her family has insight—nor interest, for that matter—in the grasshopper mystery, young Calpurnia gathers her courage and approaches the “dragon” in his den—er, laboratory. He dismisses her with a directive to figure it out herself, and when she does, all by herself, Grandfather emerges from his busy thoughts enough to take a fresh look at this girl-child he’d scarcely noticed until now—”as if I were a new species he’d never seen before.” From that point on, life will never be the same for Callie Vee.)

Now here’s Anne, infected by Miss Stacy’s enthusiasm for nature study:

“Mrs. Lynde says it made her blood run cold to see the boys climbing to the very tops of those big trees on Bell’s hill after crows’ nests last Friday,” said Marilla. “I wonder at Miss Stacy for encouraging it.”

“But we wanted a crow’s nest for nature study,” explained Anne. “That was on our field afternoon. Field afternoons are splendid, Marilla. And Miss Stacy explains everything so beautifully. We have to write compositions on our field afternoons and I write the best ones.”

—from Anne of Green Gables by L. M. Montgomery

And here’s Dan, opening up to Mrs. Jo about his interest in the wild world:

“Where did you learn so much about these things?”

“I always liked ’em, but didn’t know much till Mr. Hyde told me.”

“Who was Mr. Hyde?”

“Oh, he was a man who lived round in the woods studying these things I don’t know what you call him and wrote about frogs, and fishes, and so on. He stayed at Page’s, and used to want me to go and help him, and it was great fun, ’cause he told me ever so much, and was uncommon jolly and wise. Hope I’ll see him again sometime.”

“I hope you will,” said Mrs. Jo, for Dan’s face had brightened up, and he was so interested in the matter that he forgot his usual taciturnity.

“Why, he could make birds come to him, and rabbits and squirrels didn’t mind him any more than if he was a tree. Did you ever tickle a lizard with a straw?” asked Dan, eagerly.

“No, but I should like to try it.”

“Well, I’ve done it, and it’s so funny to see ’em turn over and stretch out, they like it so much. Mr. Hyde used to do it; and he’d make snakes listen to him while he whistled, and he knew just when certain flowers would blow, and bees wouldn’t sting him, and he’d tell the wonderfullest things about fish and flies, and the Indians and the rocks.”

—from Little Men by Louisa May Alcott

Here’s Mary Lennox meeting Dickon for the first time:

The robin listened a few seconds, intently, and then answered quite as if he were replying to a question.

“Aye, he’s a friend o’ yours,” chuckled Dickon.

“Do you think he is?” cried Mary eagerly. She did so want to know. “Do you think he really likes me?”

“He wouldn’t come near thee if he didn’t,” answered Dickon. “Birds is rare choosers an’ a robin can flout a body worse than a man. See, he’s making up to thee now. ‘Cannot tha’ see a chap?’ he’s sayin’.”

And it really seemed as if it must be true. He so sidled and twittered and tilted as he hopped on his bush.

“Do you understand everything birds say?” said Mary.

Dickon’s grin spread until he seemed all wide, red, curving mouth, and he rubbed his rough head.

“I think I do, and they think I do,” he said. “I’ve lived on th’ moor with ’em so long. I’ve watched ’em break shell an’ come out an’ fledge an’ learn to fly an’ begin to sing, till I think I’m one of ’em. Sometimes I think p’raps I’m a bird, or a fox, or a rabbit, or a squirrel, or even a beetle, an’ I don’t know it.”

—from The Secret Garden by Frances Hodgson Burnett

Whom else shall we include?

Related posts:
“Some breezy open wherein it seemeth always afternoon”
“A little egg lay on a leaf”
“At first I could only hear people sounds…”

My Own Personal Cabbage Patch Doll

March 6, 2010 @ 8:19 am | Filed under:

Photo by: Murray Brannon

I have shamelessly lifted this picture off my dad’s Flickr page. I mean, how could I not?

Whoops, I did it again. Sorry, Dad. Some things just can’t be helped.

Hi-Yah!

March 5, 2010 @ 11:39 am | Filed under: , ,

I’ve been writing the occasional “snippets” post for years, when I had a bunch of shortish things to say. But Conversion Diary Jen’s “7 Quick Takes” meme (now in its 71st edition) is much nicer—so pleasantly organized and a nice spirit of camaraderie about it—and I always enjoy reading the quick takes posts on other people’s blogs. I don’t know that I’ll pull it off every Friday, but now and then might be fun.

1. You know one reason I haven’t done a Quick Takes post before? It’s the glitch in my blog layout that won’t let me center properly. I think when I center images, they are centered on the whole page—but the main text column sits a bit to the right of center because of the blue ribbon. So the visual effect is that centered images appear off-center, and this drives me crazy. And every time I thought about participating in Quick Takes, I got hung up by the off-kilteredness of the button. Yes, I know I could simply omit the button. But…but…nope, can’t do it. Ah well, I am decidedly off kilter myself, so I don’t know why I should expect anything different from my blog.)

2. Earlier this week Beanie looked up from a Percy Jackson book to ask what an eclair is. It’s my duty as a homeschooler to show her firsthand, right? You know I’m all about the hands-on learning.

3. Even earlier than that this week, we went to Balboa Park with my parents and 13-year-old niece as a last outing before they departed for home (Colorado) that afternoon. Visited the science museum and had lunch at the Japanese tea house. The rice bowls there are huge and delicious. Later we saw a man in hipwaders in the lily pond. Beanie worried about the snapping turtles. Have I mentioned how much I adore Balboa Park? And also visits from my family.

4. I knew my kids were looking up pillbugs online, but I didn’t see their search term until later: “roly poly food.” I guffawed. (If you’re wondering: “decayed vegetable matter,” they informed me. Which explains why they were harvesting bits of my baby lettuces and leaving them out to decay.) Alice says an old potato makes excellent roly-poly food too. Turns out she is practically an expert on the subject. Many talents, that woman.

5.  New favorite iPod Touch app: Words with Friends, a Scrabble-like game. My teenager is a formidable opponent.

6. Speaking of the teenager, here are some books I’ve seen her reading recently:

• HONEY, MUD, MAGGOTS & OTHER MEDICAL MARVELS (a tome from my Martha-book reference shelf)

• DON’T KNOW MUCH ABOUT THE UNIVERSE by Kenneth C. Davis

• ENDER’S GAME by Orson Scott Card

• DAVID COPPERFIELD

• MUSASHI #9 (a manga title)

• the latest issues of MUSE and ODYSSEY

• THE HOMESCHOOL LIBERATION LEAGUE (a Semicolon recommendation)

• CHARLES AND EMMA: THE DARWINS’ LEAP OF FAITH by Deborah Heiligman. (I’m reading the latter now myself, and it’s got me working on a post about my favorite literary naturalists—so far I’ve got Dan from JO’S BOYS, Calpurnia Tate, and of course Dickon of THE SECRET GARDEN.)

7. And to finish off, a mini-photoessay about my little bird-lover.


Admiring the dear finches at the feeder. They fill her with wonder and delight and…


…an irresistible urge to practice karate kicks. “To scare them away,” she tells me, aiming another fierce kick their direction and shouting “HI-YAH!”

More quick takes at Conversion Diary.

From the Archives: The Sherwood Ring

March 1, 2010 @ 6:52 am | Filed under: ,

The Sherwood Ring by Elizabeth Marie Pope.

Is there anything more promising than a novel that opens with a young person traveling to a mysterious ancestral home for the first time? The Secret Garden, The Children of Green Knowe, The Little White Horse; even, if you stretch it a little, Emily of New Moon. Delicious books with perfectly delicious beginnings.

The Sherwood Ring is a book of this sort, and it’s one of the deliciousest. The very moment Jane finished reading it, she was imploring me to begin, and I’m glad I heeded her plea. What a fabulous book: mystery, romance, humor, history. Most wonderful wonderful, out of all hooping.

Seventeen-year-old Peggy’s father has died and she’s been sent to live with her curmudgeonly uncle in upstate New York, at a (you guessed it) mysterious ancestral home called, delightfully and evocatively, Rest-and-Be-Thankful. Uncle Enos’s passion and lifelong obsession is Revolutionary War-era history; he has spent his life preserving the late-eighteenth-century aura and custom of the huge family home in which George Washington himself was reputed to have spent a night.

Not only is Rest-and-Be-Thankful rich in history, it has ghosts. At least, that’s what Peggy’s father tells her shortly before his death: family ghosts that not everyone can see.

“It’s not being able to see them himself that gets under [Enos’s] skin,” he tells Peggy. “Well, if I were a ghost I don’t know that I’d bother appearing to Enos either; but he seems to think that being the head of the family ought to have given him some sort of priority, and—the truth is, Peggy, if they do happen to get after you, it might be a good idea not to mention it. He’d never forgive you.”

Fortunately for Peggy, the ghosts do “get after her.” Hopelessly lost on the longish hike from train station to family estate, Peggy encounters a curiously dressed young woman on horseback, wrapped in a long red hooded cape—a surprising choice for a May afternoon, one might think. A greater surprise still will come later that day, when Peggy discovers a portrait of the same red-caped girl painted in 1773 by the great American artist John Singleton Copley.

This ghostly horsewoman points Peggy toward the correct fork in the road and promises that she’ll run into someone who can show her the rest of the way to Rest-and-Be-Thankful. And indeed Peggy does: a handsome young Englishman, a visiting scholar named Pat Thorne, is pulled over with car troubles on his way to see—who else?—Uncle Enos. He too is a historian, and he’s looking for information about a diary one of his ancestors was supposed to have written hundreds of years ago.

If Peggy is surprised at the gruff and dismissive manner in which her uncle greets her upon her arrival to her new home, she is even more surprised at his uncivil reaction to Pat Thorne’s arrival. “I have nothing whatsoever to say to you,” he glowers. “You will leave this house at once.” Pat, taken aback, politely retreats, but he’ll be back.

These are only the beginnings of the mysterious happenings that befall Peggy at Rest-and-Be-Thankful. Why, she hasn’t even met the dashing Continental Army officer yet, a genteel and amiable sort (I told you we quote that a lot!) who has quite a story to spin for her. And so begins the tale-within-a-tale, the high drama of the young officer’s long and eventful quest for a British officer-slash-guerrilla, a wily and charismatic underground agent whose schemes for disrupting supply lines and raiding storehouses are causing General Washington’s army no end of frustration, and may well turn the tide of the war in favor of the redcoats. This harrowing story is revealed to Peggy gradually, humorously, grippingly, by those ancestors of hers who actually lived the experience. And it seems that the more Peggy learns, the more mystery there is to puzzle out—especially regarding Uncle Enos’s apparent hatred of Pat Thorne.

Despite the abundance of ghosts, The Sherwood Ring is not at all creepy or terrifying. It’s a mystery, not a horror story. And a darn good mystery it is, with twists in all the right places.