Posts Tagged ‘booknotes’
February 27, 2014 @ 4:42 pm | Filed under:
Books 
Paperwhites by Rilla
Something Sherry mentioned in the comments reminded me of this post I’d left sitting in drafts all month. Instead of a booknote today (since all I’ve read is a chapter of Howards End), I’ll toss the draft up. I was saving it until I had time to say something intelligent about the three 1963 books, but now I can shove it into these quickie notes I’m doing and be excused from coming up with something insightful.
***
I read about the Century of Books project at Alex in Leeds—a reading project in which you endeavor to read a book written in every year of a particular century. Ideally you would assign yourself a time frame for completing the mission, but I’ve learned that deadlines are deadly to my recreational pursuits—too many deadlines swirling around my working life. I love, however, the idea of tracking the publication dates of my reading: another layer of interest to add to my favorite activity.
And so I borrowed Alex’s template and created a 20th-century list for myself, and plugged in last year’s titles. Right off the bat I discovered that my reading is skewed far more toward 21st-century titles than I might have guessed. (Over a third of my 2013 total.) I do read a lot of new books, I suppose, via NetGalley and other advance review copies. I just hadn’t thought about how that means new publications dominate my reading pile, elbowing older books to the lower, dustier shelves.
I logged fourteen 20th-century books in 2013 (well, counting this month*). Several were rereads—the children’s books especially, my read-alouds with Rilla. (I’m counting middle-grade and above, but not picture books. I can’t keep count of picture books. A dozen a week, at least.) Most surprising to me was the discovery that of those fourteen titles, three were published in the same year—1963.**
1) Mary McCarthy’s The Group, which caught my attention when Betty Draper read it in her bathtub. It was republished an as ebook by Open Road last year, and I snapped it up. (Set in the 30s.)
2) The Girls of Slender Means by Muriel Spark. (Set in 1945, with a 1963 framing story.)
3) The Scent of Water by Elizabeth Goudge. (Contemporary with its writing.)
All so striking, and so very different! All books that stick with you and affect how you think of other books, and the outside world. I will try to come back to this when I have more time and muster some actual analysis. There’s an essay in these three books rubbing shoulders, to be sure. I haven’t the brain for it now.
*”This month” was early January. Total in late February is twenty 20th-century books.
**And now there’s 1962’s Underfoot in Show Business right alongside these, capturing yet another vivid and totally distinctive world. (The striving of Broadway hopefuls in the 30s and 40s, mostly.)
***I made a 19th-Century page as well, but there’s nothing there yet. Not a single 19th-century book for 2013-present? Actually I do have a number of late 1800s titles I’ve used as reference for my current novel, but for some reason I never seem to include research books in my annual booklogs. That makes no sense at all. I’ve read them, haven’t I?
***
Oh, and I did read three picture books with the littles this morning. The Ultimate Book of Vehicles and two other interactive books from Chronicle, who have been spoiling me with review copies lately. Vehicles became Huck’s instant Favorite Thing Ever (it’s a giant pop-up with excavators scooping and crane operators climbing to the top, and he fell instantly in love, as Scott’s tweet attests.
February 26, 2014 @ 7:59 pm | Filed under:
Books 
These posts are going to get very short all of a sudden because Rose and Beanie have departed for a week with my parents. I’ll miss our daily Poetry 180 readings. To make up for it, I made sure to catch today’s Writer’s Almanac entry. “Yard Sale” by George Bilgere. And it seems it’s Christopher Marlowe’s birthday! He was only 29 when he died, can you believe it?
Early morning: Howards End.
After lunch: Howards End Is on the Landing. Standout bits: This quote from Sir Walter Scott:
Also read again, and for the third time at least, Miss Austen’s very finely written novel of Pride and Prejudice. That young lady had a talent for describing the involvements and feelings and characters of ordinary life, which is to me the most wonderful I ever met with. The Big Bow-wow strain I can do myself like any now going; but the exquisite touch, which renders ordinary commonplace things and characters interesting, from the truth of the description and the sentiment, is denied to me.
Oh how I love to hear writers talking about what other writers can pull off that they themselves can’t.
And just a note to myself to look up Penelope Fitzgerald’s The Blue Flower. Hill’s description certainly sells it. Also loved this line Hill quotes from a letter Fitzgerald wrote her, on the delights of being a grandmother:
It is such a joy to have someone who wishes to sit with you on a sofa and listen to a watch tick.
February 25, 2014 @ 7:35 pm | Filed under:
Books 
I’m enjoying these daily booknotes even more than I expected to—it’s the least taxing writing I’ve done in a long time. I’ve said before I like talking about books more while I’m reading them than after I’ve finished, and doing it in these slapdash daily notes is less pressure than a monthly or weekly roundup. Also it makes me realize how much I actually read. Because sometimes weeks will pass without my finished a whole book, I’ve had a sense lately that my reading has dropped way off from where it used to be. But it hasn’t really, not when I’m counting (and why wouldn’t I? why haven’t I?) all the things I read to and with my kids in the course of a given day.
***
Early morning. Instead of turning to Middlemarch, I found myself sinking contentedly into Howards End instead. Gee, I wonder what put that particular book in my head? I love Forster—his prose at once crisp and dreamy, which is an impossible feat. I don’t know how he manages it. He’s a cipher. And a realist. Anyway, I got as far as the Beethoven concert, the goblins walking quietly over the universe from end to end. Bit wrenching to lay that aside and rise to the imperatives of contact lenses and lost Lego men.
***
Mid-morning, with the girls. Another small chunk of Wormwood Forest. The buried villages. Where are the poems? There must be reams of poetry about them. Probably in languages I can’t read.
This poem (it’ll be obvious by now that we’re reading through the Poetry 180 selections in order): Ron Koertge’s “Do You Have Any Advice For Those of Us Just Starting Out?” I’m trying not to talk about these too much, not unpack them, just let the girls sit with them. We’re doing so much heavy-duty analysis in our other poetry studies (Shakespeare’s sonnets at the moment), talking technique and all the rest of it. I don’t want to overwork poetry for them, to “tie the poem to a chair with rope /and torture a confession out of it” as Billy Collins describes in the very first poem of the 180 series.
They begin beating it with a hose
to find out what it really means.
I hope we haven’t beaten Shakespeare and Marlowe with a hose, but certainly we’ve poked and prodded them, ruffled their hair, measured the size of our hands against theirs. And so to balance it, we read these other poems, one a day, and I try very hard to sit there with my mouth shut.
***
After lunch: More Howards End Is on the Landing. I wonder if any of you laughed at me yesterday when I said I wasn’t going to make lists of the books she rhapsodizes about. Of course I’m going to make lists. Or else I’m just going buy this book, which I got through interlibrary loan. Of course I’m going to buy this book. I could blog my way through it, reading all the books she’s reading, like Julie and Julia only even more meta. And with less aspic.
I’m having an ongoing conversation with Susan Hill in my head. She shocks me sometimes. She mentions in passing a book “about Australian aborigines, in whom I had then, as now, little interest.” I gave her such a look! How can you not be interested in a group of people? How can you say such a thing, and mean it, and in print!
***
Early afternoon. Spent a long time poring over our Beatrix Potter treasury with Rilla. I much prefer the small single editions, the original miniature size that is so just right for stories about mice and rabbits. But this big battered old collection is wonderful too, and she wanted to page through it and talk over all the stories, the ones she remembered and the ones she didn’t—it’s been at least a year since it came off the shelf. Halfway through is Roly-Poly Pudding and, well, there’s no paging through that one, you have to stop and read it. The “unruly family” line I quoted above made her laugh so hard. Potter’s genius shines here—who else would enfold a naughty, sooty kitten in dough and have a couple of rats roll him with a rolling pin? I love how full of antiheroes her tales are, too. Practically no one behaves himself.
***
Will close with another quote from the Susan Hill book. (I found an excellent OCR app that can take a picture of print and turn it into editable text! You can paste it into Evernote or an email, straight from your phone.) Here Hill herself is quoting a 1904 Atlantic Monthly essay by Thomas Wentworth Higginson called “Books Unread”:
The only knowledge that involves no burden lies…in the books that are left unread. I mean, those which remain undisturbed, long and perhaps forever, on a student’s bookshelves; books for which he possibly economized and for which he went without his dinner; books on whose back his eyes have rested a thousand times, tenderly and almost lovingly, until he has perhaps forgotten the very language in which they are written. He has never read them, yet during these years there has never been a day when he would have sold them; they are a part of his youth, in dreams he turns to them…He awakens, and whole shelves of his library are, as it were, like fair maidens who smiled on him in their youth and then passed away. Under different circumstances, who knows but one of them might have been his? As it is, they have grown old apart from him; yet for him they retain their charms.
February 24, 2014 @ 8:07 pm | Filed under:
Books 
I lingered in bed yesterday morning—though linger is relative when the day begins around six, weekend or no—and the little ones saw me snuggled up, reading, and wanted in on the fun. I can’t say I got much of my own book read after that, but I have no regrets.
I’m moseying my way through Howards End Is on the Landing, enjoying it very much, the first chapter’s internet-grumping notwithstanding. It would be easy to come out of this book with another long list of books and authors to explore, and yet the author’s focus on spending a year reading only the books she already owns serves to discourage the impulse to start compiling. She keeps reminding me how much I have lying around the house already, or gobbling up the memory on my Kindle. I’m resisting the temptation to list. If any of her favorites stick with me after I’ve finished, I’ll hunt them up.
My favorite bits are the passages where she talks about encounters with other, older authors she admires. Susan Hill is in her early 70s, was first published at 18, has been part of England’s literary life since she was very young. She writes of one memorable encounter in a library while she was a student:
Not, though, as conscious as I was of the small man with thinning hair and a melancholy moustache who dropped a book on my foot in the Elizabethan Poetry section some weeks later. There was a small flurry of exclamations and apology and demur as I bent down, painful foot notwithstanding, picked up the book and handed it back to the elderly gentleman—and found myself looking into the watery eyes of E.M. Forster. How to explain the impact of that moment? How to stand and smile and say nothing, when through my head ran the opening lines of Howards End, ‘One may as well begin with Helen’s letters’, alongside vivid images from the Marabar Caves of A Passage to India? How to take in that here, in a small space among old volumes and a moment when time stood still, was a man who had been an intimate friend of Virginia Woolf? He wore a tweed jacket. He wore, I think, spectacles that had slipped down his nose. He seemed slightly stooping and wholly unmemorable and I have remembered everything about him for nearly fifty years.
I went back to the hostel and took out Where Angels Fear to Tread, read some pages, read the author biography, and had that sense of unreality that comes only a few times in one’s life. The wonder of the encounter has never faded. Nor, indeed, has the wonder of bumping into T.S. Eliot on the front doorstep of a house in Highgate, though, strangely, I cannot now remember whose house, but there was a literary party to which I had been invited by some kind patron of young writers. So there I stood, while Eliot rang the bell and gave me a rather owlish but kindly smile as we waited. Once the door was opened to us he was absorbed into the throng and I saw him no more—but I can certainly still hear the voice of someone saying, on seeing him, ‘Oh good, here’s Possum!’
I think my favorite quote so far comes from a conversation with her elderly friend, the poet Charles Causeley:
Shortly after receiving the Heywood Hill Prize, he was made a Companion of Literature by the Royal Society of Literature, a rare honour, and asked me, again, to accept on his behalf. ‘What would you like me to say?’ I asked.
The reply might well have been: ‘What an honour.’ Or perhaps, ‘What a surprise …’ But one of our greatest living poets, aged eighty-three, asked me to say, ‘My goodness, what an encouragement.’
***
I didn’t do so well with Middlemarch these past few days. The thing about reading something smart when I first wake up, while my brain is still wanting to drift back into whatever dream was dispelled by the sound of thumping boy-feet outside my door, is that I’m not always up to the intellectual effort required to stay attuned to the page. This morning I woke up twenty minutes after I started reading, with the phone gone black-screened in my hand. Lydgate something something promising young man something.
***
Things I read with kids today:
Landmark History of the American People, second half of the Eli Whitney chapter. I’ve read it before and forgotten it: the cotton gin sticks, obviously, but I’d lost the whole tale of how he invented mass production by transforming the process of how guns were made. Before Whitney, guns, like everything else, were made by specialist craftsmen, one at a time. In 1798 (I think—dates don’t stick to me) with Napoleon scaring the pants off everyone, a terrified young America was desperate for arms. Whitney’s cotton gin had transformed the entire economy of the South (for better or worse) and he was asked to turn his brilliant mechanical mind to the problem of how a country short on gunsmiths could generate vast quantities of guns. He reasoned that there were fifty parts to a musket, and if you could teach fifty men to make one part each—perfectly uniform, every time—you could assemble a great deal of guns in much less time that it takes one man to craft fifty separate parts by hand, over and over. Fast forward a few years through his creation of some molds, some part-making machinery, and there he is in a room with Pres. Adams, Vice Pres. Jefferson, and most of the Cabinet, with heaps of gun parts piled on a table. Go ahead, put some muskets together, he instructs them. Voila, mass production. (Now that I’ve narrated it, it oughta stick.)
Story of Science, finished the Keppler chapter. Watched a couple of Youtube videos afterward to help us grasp his Laws of Planetary Motion. Rose was most intrigued by the part about how DNA researchers in 1991 used clippings from Tycho Brahe’s mustache (!) to discover that he died of mercury poisoning.
Poem: “The Distances” by Henry Rago. “The house…billows with night” took my breath away. And the “rings and rings of stars” was a perfect and serendipitous cap to our Keppler conversation.
Also, these lines from Donne, quoted in the science book:
And new philosophy calls all in doubt,
The element of fire is quite put out,
The sun is lost, and th’earth, and no man’s wit
Can well direct him where to look for it.
(From “An Anatomy of the World,” although I could swear the Hakim book cited “The Anniversary” instead. Will check tomorrow if I remember.)
February 20, 2014 @ 9:05 pm | Filed under:
Books 
I’m not going to have time to post anything significant in the next couple of weeks, but I thought I might try jotting down a few quick reading notes each day, just to keep the blog warm.
Early a.m.: Middlemarch chapter 13.
“The banker’s speech was fluent, but it was also copious, and he used up an appreciable amount of time in brief meditative pauses.”
Mid-morning, with Rose and Bean:
Landmark History of the American People, first half of the Eli Whitney chapter.
Story of Science: Keppler.
Poem: “The Blue Bowl” by Jane Kenyon.
Marlowe’s “The Passionate Shepherd to His Love” and Ralegh’s “The Nymph’s Reply”—neither of the girls had read these before, so we had ourselves a good time. I remarked that I would have said yes to the shepherd, and Rose laughed and said, “You did.”
With Beanie:
Sir Gawain and the Green Knight, first half of Fytte the Second. Bit heavy on the armor & weapon descriptions, but good golly is the language delightful. All that alliteration.
With Rose (on separate Kindles):
Bird by Bird, introduction
After lunch, with Rilla:
The Blue Fairy Book, “East of the Sun, West of the Moon”
Tumtum and Nutmeg, finally finished the Christmas story
Milly-Molly-Mandy, next chapter.
Early afternoon:
Snatched a few minutes’ reading time before a meeting, started Howard’s End Is on the Landing. Have been looking forward to this one—Susan Hill’s memoir about spending a year reading only books she already owned. I’ve had that same urge myself more than once! I think it’s going to be a fun read even though she’s a bit crotchety on the subject of the internet: its “insidious, corrosive effect” “fragmenting the brain,” leading to “mental malnutrition,” etc etc. By the time she got to those “infernal systems on websites” that allow you to catalog your books, I was rolling my eyes pretty hard. Don’t go knocking my GoodReads! But I’ll give her a chance. I have a soft spot for curmudgeonly types.
February 19, 2014 @ 8:11 pm | Filed under:
Books 
Early a.m.: Middlemarch chapter 12.
Particularly struck by how skillfully Eliot builds tension in the first visit to Stone Court—Featherstone ordering Fred to get a letter from Bulstrode averring he doesn’t believe Fred made promises about paying debts out of his expected inheritance. How rapidly this escalates! Featherstone has already made it clear to his sister, Mrs. Waule, that he thinks the rumor is “stuff and nonsense…a got-up story” and he defends Fred against her insinuations. “Such a fine, high-spirited fellow is like enough to have [expectations].” But then after Mrs. Waule leaves, Featherstone whips out the accusations, almost teasingly, and the order to get a letter from Bulstrode has the air of a whim, at first. And suddenly there Fred is in a terribly awkward situation that is only going to get awkwarder, and eventually quite serious. It’s a gripping conflict, it puts us squarely in Fred’s corner while leaving us under no illusions that his imprudence (those fine high spirits) has helped put him in this pickle. Featherstone is utterly believable, a difficult person who enjoys being difficult, and who enjoys having scraps of power over people. All the rest of the morning my mind kept coming back to this scene, picking over how artfully Eliot created a major conflict (in plot terms) out of a fragment of gossip.
Midday: Finished Underfoot in Show Business.
Am now bereft: it was the last (well, the first for her, but the last for me) of Helene’s memoirs. I wish she’d written five more. The tales in this one: so rich! That first summer she spends at the artist’s colony—sitting down at the desk in her quiet studio and seeing Thornton Wilder’s name written on the plaque listing all the previous occupants of this cabin. He’d stayed there in 1937; she realizes he’d written Our Town in this very spot. For a moment it throws her—I completely understood that wave of comparative despair—until she registers that in the long list of writers under Wilder, there’s no one she ever heard of. This makes her feel better, and then she’s able to work.
And the early story about how she gets to NYC in the first place—winning a fellowship for promising young playwrights. Late 30s, the second year of the award. In the first year, the two winners were given $1500 apiece and sent out to make their way in the world. In Helene’s year, the TheatreGuild decides to bring the three fellowship winners (Helene is the youngest, and the only female) to New York to attend a year-long seminar along with some other hopeful playwrights. The $1500 prize pays her expenses during this year of what sounded very similar to a modern MFA program, minus the university affiliation: classes with big-name producers, directors, and playwrights. Lee Strasberg! An unprecedented opportunity for these twelve young seminar attendees. And the fruit of this careful nurturing? Helene, chronicling the story decades later, rattles off the eventual career paths of the students: there’s a doctor, a short-story writer, a TV critic, a couple of English professors, a handful of screenwriters.
“The Theatre Guild, convinced that fledgling playwrights need training as well as money, exhausted itself training twelve of us—and not one of the twelve ever became a Broadway playwright.
“The two fellowship winners who, the previous year, had been given $1500 and sent wandering off on their own were Tennessee Williams and Arthur Miller.”
I laughed my head off when I read that.
February 18, 2014 @ 9:10 pm | Filed under:
Books 
I’m not going to have time to write anything thinky in the next couple of weeks, but I thought I might try jotting down a few quick reading notes each day, just to keep the blog warm.
Last week I decided to try something new: instead of reaching for my phone and checking my mail when I wake up, I’m reaching for my phone and reading a book. My boys wake up très early and get to watch TV for 30 or 40 minutes before Scott and I drag ourselves out of bed. Usually I use that time to doze, and then check in on everything that’s piled up in my inbox during the East Coast’s head start on the day. But I’m always grumping about not having enough time to read—I fall asleep three pages in, every night—so I thought I’d give a morning reading session a go. It’s been quite nice. I have eleventy-thousand books queued up, so naturally I decided to reread Middlemarch. (I’ve given up trying to figure out my capricious reading whims anymore. If a book insists it wants to be read, I read it.)
This is my third trip to Middlemarch. Read it first the year between college and grad school, when I was working as a publicist for my undergrad alma mater’s drama department and trying to fill in gaps my English degree hadn’t. Loved the novel, had trouble settling on anything else for a long while after. Reread it a few years ago—I could check my archives here to find out when—and loved it even harder. And now here I go again. Why is it I’m hollering at Dorothea every time and yet she still goes and marries him?
So anyway, this morning it was a chapter and a half of Middlemarch (enter Fred Vincy, munching on a grilled bone).
Later: the first section of Sir Gawain and the Green Knight with Rose and Bean.
Poem: “The Summer I Was Sixteen” by Geraldine Connolly.
After lunch: a couple of chapters of Helene Hanff’s Underfoot in Show Business, which is making me deliriously happy.
Assorted articles online.
No picture books! Made a Staples run in the early afternoon that ate up our Rillabook window.
June 3, 2013 @ 7:46 pm | Filed under:
Books 
I’ve really dropped the ball on my reading notes, these past few months! I’m looking at my GoodReads list and ouch, I must have missed logging some things, because there’s only one novel listed for May. That can’t be right. Let’s see, it’s definitely missing The Scent of Water, which I reread in early May. That’s one hitch with GoodReads; if you’ve entered a book in the past (I read it last year), there’s really no way to re-list it except to change the date altogether.
Well, notables of the past couple of months:
The Scent of Water (reread)
Pilgrim’s Inn, also by Elizabeth Goudge, immediately afterward. I was so in the mood for more Goudge, and this was a really lovely book, but I rather wish I’d had more time between the two; their themes are so similar, and the assortments of strong and quirky personalities. And the importance of houses, specific living, breathing houses who have to be counted as characters in their own right. (Like L.M. Montgomery, Goudge will ruin you for houses! The boxy mid-century bungalows of my neighborhood seem blank and bland to me after a dose of Goudge. No ‘lashings of magic,’ to borrow Jane of Lantern Hill’s phrase. No quaint spool beds or cockeyed chimneys, no breathtaking views, no hidden chapels or wide, welcoming stairways. No secret lanes anywhere! Although you can pretend them into existence if you try…)
Crop out the houses and the runoff drain between two streets becomes a secret path…
Anyway, I’m teasing a bit, but I really loved Pilgrim’s Inn and am glad I still have so much Goudge left to read for the first time.
Colson Whitehead’s The Colossus of New York—a complete change of pace! A collection of gorgeously written, jangly, quick-beating essays about New York City. Made me ache, I missed the city so much. Sent me careening right back to my beloved Helene Hanff: Letter from New York, 84 Charing Cross Road (which is about NYC as much as it’s about books and kindred spirits). I bounced back and forth between Whitehead and Hanff, gulping great chunks of each.
Do you know, I read this way more and more these days…a chunk of one book, a chapter of another, back and forth, six or seven at once, wantonly, greedily. I mostly finish things, but sometimes I don’t. A few of the things I’m in the middle of this very moment: Wild by Cheryl Strayed; How to Watch Television (a new book coming from NYU Press, and it is CAPTIVATING ME); Blackout by Connie Willis (I never finished that one a couple of years back; picked it up again recently)—all of them active reads, all of them gripping me, each of them begging a free afternoon.
(Will I ever finish Blackout? Will I reach the point where I can’t possibly put it down? That point usually comes sooner for me in a Willis novel.)
Back to the books that occupied my spring—only now it’s gotten late, I’m not going to finish this list. I have to add Alice Munro’s Too Much Happiness. I’ve been reading a story a week, more or less…she’s so sad and rich, I have to take her slow. I read her sentences like each one is a small poem. Cheryl Strayed’s Wild begins with a harrowing cancer story—I won’t give too much away—and a woman who’s just been told she has terminal lung cancer, maybe a year to live, asks her doctor if she can still ride her horse. But they’re offering radiation to shrink the tumors along her spine, and the doctor says her spine will be so brittle, a jolt could shatter it to dust. That’s how my heart feels after an Alice Munro story, like one more sentence would crack it to splinters.
From Munro I pendulum to the things I’m reading my children: Mrs. Piggle-Wiggle, Brambly Hedge (on endless repeat, it seems), Odd Duck. Laughter glues me back together. But I can’t do without the shattering books. I think you come back together a little different, every time.
January 4, 2013 @ 8:32 pm | Filed under:
Books This time of year, my book gluttony swells to impossible dimensions—everyone sharing their last year’s reading lists, all the Best Of lists floating around. Stop looking, I tell myself: stop until you’ve finished even half, even a tenth of the books you’ve already got queued in the TBR stacks. It’s no use my vowing to acquire no new books until I’ve read all (or a tenth) of the ones I have waiting here in these crowded quarters—I’m too greedy, too eager to read them all, all, all.
Books make billionaires of all of us—such a wealth of stories left to read; we’re all rich in this way, even the most dogged bookworms. There are always millions of stories left to read. We’ll never spend all this splendid capital, none of us.
When I make lists of the books I Absolutely Intend to Read in the Near Future, I never do. Not until years later when I’ve drawn up Yet Another List full of entirely different titles. So I won’t make a list right now, despite the persistent urge to do exactly that. This year I’m reading with complete abandon, no plan, no agenda, no sense of obligation. I’ve got at least half a dozen books going this very minute. And that’s not counting read-alouds (and read-alongs) I’ve got in the works, or planned, with kids.
I enjoy writing about books I’m in the thick of more than writing about them after I’ve finished. By then I’m on to the next tome, and that’s where my thoughts are. I had heaps of things to say about The Prime of Miss Jean Brodie last month, five pages in, but when I’d finished, I wanted to sit quietly with it for a bit. Scott got on earful on our walk that first morning—how amused/amazed I was at Muriel Spark’s skill, her curious repetitions of phrase in describing the girls of Miss Brodie’s set: Rose, who was famous for sex; Sandy with her little eyes. In anyone less masterful, this intrusive technique would have been annoying at best, groanworthy at worst, but Spark’s control of language is exquisite and precise. I tried to explain to Scott how manipulated I felt, not in a negative sense (though that word nearly always carries a negative connotation) but in the sense of being subtly directed to form certain impressions of the characters, as an accomplished rider might invisibly direct a horse with gentle pressures and nudges. And there’s Miss Brodie nudging and directing her girls, shaping their minds toward her preferred vision—Spark’s structure is brilliant; “She’s Miss-Brodying me!” I told Scott. And then gradually, gradually, you’re allowed to step back and think your own thoughts, alongside mutinous, insightful Sandy with her little eyes. I know Sandy is insightful because Miss Brodie said so. Oh, Muriel Spark, you wicked genius you. Please manipulate the world in such a way that I might have a week alone with your body of work, won’t you?
