A poem-of-sorts I shared on Medium last week: Advice to Writers: Always Leave
Always leave thread in the needle and the sentence half-written.
The plunge into chill water is the hardest part, so leave the burner on, the hot tap running.
Don’t let ink sit in the pen for too long — it clogs the nib. You’ll lose time momentum interest scraping a dry point across your skin until the clot dissolves.
Always leave the iron on. You may return to find useful scorch marks, or with luck ashes you can read like tea leaves.
Fail to secure the lids of your garbage bins. While cleaning up the raccoon rummagings, you may happen upon lost notions or revelatory peelings. Sweep up the spilt verbs and reassemble them into cracked sentences. Smells are the best glue.
Read the rest here.
School started back up for Wonderboy last week, and his earlier bus pick-up time this year means a new morning routine for several of us. I’ve pushed my own wake-up time from 6 to 5:30 to give myself a full hour for my daily creative practice before my boys get up. This is a bit too early for comfort, but I cherish that quiet morning time with poetry, cocoa, and my notebook. My studio window faces east, so I get to watch the sun seep upward from the neighbor’s roof into the clouds, like rose and apricot-colored watercolors blooming on wet paper. There’s a pair of trees over the back fence whose combined shape looks like a hedgehog in profile with its paw raised to its open mouth as if it’s calling out to the sun, singing it awake.
It always makes me think of the hedgehog in Watership Down, only that one is singing to the moon, not the sun: O Slug-a-Moon!
I read from books of poems for a while—currently Oceanic by Aimee Nezhukumathathil and Conflict Resolution for Holy Beings by Joy Harjo, along with daily selections from Holly Wren Spaulding’s poetry challenge or her Patreon. After a bit (and as my special caffeinated hot chocolate kicks in), reading becomes writing, and I freewrite to one of Holly’s provocations or using the method Lynda Barry lays out in her indispensable book about writing, What It Is. These scrawled pages are rough, unfiltered, as freewrites are supposed to be; and then I reread and harvest a word here, a fragment there, arranging the raw phrases into drafts of poems.
Sometimes I wake so early that I have time to stitch or sketch while listening to a few minutes of a Commonplace Pod episode before the boys appear in my doorway. Wonderboy eats breakfast and Huck snuggles into my writing chair for a bit. Scott gets up to pack WB’s lunch. Huck moseys down to the basement to watch a video. I take a peek at Instagram, maybe share a stitch-diary photo in my Stories. The bus arrives. Scott reads in bed for a while. I turn on my laptop and open a tab to WordPress or Patreon. I congratulate the green hedgehog on successfully waking the sun for one more day.
I’m sleep-deprived but happy.
Speaking of my Patreon: I’ve restructured the tiers with new benefits for fall. I mentioned last week that I’m giddily immersed in a new creative project which combines hand-drawn embroidered pieces with poems. I’m documenting the process on Patreon with lots of sketchbook and work-in-progress peeks. I usually wait until a project is out in the world before I say much about it, so this is quite a departure for me—as is the project itself.