Archive for the ‘Assorted and Sundry’ Category
This is the poem that carried me through this year, more than any other. “One Poem a Day” by Olav Hauge, from his lovely book The Dream We Carry. Those last lines especially—
I get up. It’s lighter.
Have good intentions.
And see the bullfinch rise from the cherry tree,
There have been so many days during the pandemic (and before) when I’ve walked around thinking: Have good intentions. Look for the bullfinch, the buds.
In her wonderful book Keep It Moving: Lessons for the Rest of Your Life, Twyla Tharp urges us to “make sharing delight into a daily occurrence,” or, as she puts it a few pages later, to find “the Daily Miracle. Find something that pleases you greatly first thing every morning when your mind is fresh.”
Mary Oliver puts it like this:
I see or hear
that more or less
that leaves me
like a needle
in the haystack
(From “Mindful” in Why I Wake Early)
What, for you, is the bullfinch rising from the cherry tree, stealing buds, today? Your ‘daily miracle’ for this last day of November? What little thing, ordinary or extraordinary, has more or less killed you with delight?
Reading: Gathering Moss (still, slowly, with lots of marginalia); Black Birds in the Sky, Brandy Colbert’s chilling account of the 1921 Tulsa Race Massacre
Reading aloud: The Whisper of Glocken by Carol Kendall—only a few chapters to go, and I’ll miss it when it’s over.
Listening to: A Fatal Grace by Louise Penny (audiobook). Am listening to these all out of order, whatever comes into Overdrive first. Excellent company during evening stitching time.
Watching: The Morning Show, season 2, with Scott; Tiny World with the kids
Learning about: saeksilnubi (a traditional Korean quilting art) and Roam Research (an incredibly useful notekeeping/mind-mapping tool). Also some basic Korean as I work to translate pattern instructions.
Remembering: Rilla in 2009:
3yo asks, in a knowing way, “Mom, what do you like?”
Of course I say, “I like YOU.”
She looks perplexed: “I thought you liked chocolate!”
Noticing: leaves starting to go yellow all over the neighborhood; the last tomatoes splitting on the vine; a downy woodpecker at the suet feeder
Feeling: mildly feverish and very achy (got my Pfizer booster yesterday)
Stitching: too many things all at once. A saeksilnubi panel for a small crossbody bag. Several handstitched drawstring bags to give as presents. A secret embroidery project. Another secret embroidery project.
Writing: A novel outline; a Brave Writer Dart on Katherine Applegate’s Wishtree.
Glorious soaking rain all day yesterday, and more today. I’m so ready for it. My yard is so ready for it! Our summer water bill was shocking—so many gallons poured into keeping alive the eleven large potted rosebushes my neighbor gave me when she moved. I love them so much…and I think I’m going to offer some (most?) of them on our local Buy Nothing list. A plan not without pain, but that water bill was pretty painful too.
I’ve been in full-throttle high-tide mode for my own projects, and rather low-key middlish tide with Huck and Rilla. We’re about halfway through The Whisper of Glocken; nearly finished with our current Math-U-See book; enjoying Tiny World, especially the part about the absolutely bananas creature called the “mad hatterpillar,” a caterpillar who keeps its outgrown head-skins in a tall stack on top of its head. When its predator, the assassin bug, strikes, the deadly spike shoots its poison into the stack of gross dead head-skins. I’m beyond fascinated, especially when I contemplate the role of natural selection in this bizarre trait. It’s not like there could have been a genetic trait for an old head getting stuck on top of the new one when it got shed. Maybe a tendency toward stickier outgrown skins?
I can’t find a creative commons photo that does it justice, so you should google it. Worth the click.
It’s totally going in my sketchbook, too. I’ve been sketching a lot lately! Mostly blind or semi-blind contour drawings of photos I’ve seen on Instagram. Probably some of yours!
I’m in a good groove with posting right now! Lots of stuff happening on Patreon (including work-in-progress pics of a fun stitching project), and I’ve been busy on Instagram too. To encourage readers to order books early for holiday shopping, I’m posting a series of book recommendations in my IG Stories every day this week. Mostly middle-grade books and younger, with a few selections included for adults. The whole series is viewable in a Highlight on my Instagram profile page. Those links should work for you even if you aren’t an IG user (I think), but if you have trouble viewing them, let me know and I’ll figure something out.
Or you can visit my Bookshop.org storefront, where Beanie is helpfully compiling a list of all the titles I’m sharing. (That’s an affiliate link, but full disclosure, I’ve made less than $20 on Bookshop.org referral fees in total. Amazon referrals were much more lucrative, but I switched over to Bookshop.org quite a while ago, to better support independent bookstores.)
Speaking of Patreon
I added a new tier in August but haven’t told anyone about it (not even current Patreon members) until this moment. Most of my tiers are quite low cost ($1/month for weekly posts on creative practice; $3/month for behind-the-scenes project posts (both stitching and writing); $5/month for a book discussion). This new one is different: I’m offering a limited number of one-on-one sessions. Here’s the lowdown:
One-on-one tier ($60/month; feel free to jump up to it for a month or two, or it may be ongoing). This tier consists of a 45-minute private Zoom chat (and email followup) to work on solving a problem or puzzle you’ve been grappling with. Such as…
• Need help figuring out a social media platform or app, or help creating a social media plan?
• Want personalized recommendations for homeschooling or your reading life?
• Want someone to walk you through iPhone photography settings and how to use photo editing apps?
• Looking for a planner (digital or paper) that meets your specific needs?
• Need a jump-start with habit building or time management?
• Wondering how to establish a daily creative practice that nourishes and delights you?
*Note: just about the only topic I can’t tackle in these sessions is a manuscript critique. I can advise about research tactics, but I can’t chat about story ideas or give notes on a work-in-progress.
I’m offering ten spots at this time. I’d love to help you unpuzzle your puzzles! And you’ll be helping me pay some rather alarming dental bills. 😉 Everyone wins! (Especially the dentist.)
It’s early, and I’d like to be stitching. But my fountain pen leaked all over my fingers and even after scrubbing off the ink, there are stains. I worry about leaving black marks on the piece of linen I’m—ah, and now I’m derailed by the search for a verb that accurately describes what I’m doing to the linen. Not embellishing, ornamenting, decorating—all too ornate, too fancy. Ferning, perhaps. Covering it with ferns.
I’m handstitching a drawstring bag (this pattern) because handstitching, including and especially embroidery, is one of the very few activities that quiets my mind enough for real thought. Gardening works, sometimes—if I don’t fall into a swirl of longing for plants I have neither time nor budget for—and has, in the past, yielded entire books while my fingers occupied the rabbity part of my brain. Mopping wood floors works: the smell of Murphy’s Oil Soap, the light gathering on the boards, the repetitive motion. I miss the job I had for a couple of years in San Diego, cleaning the floors of a yoga studio on Saturday mornings before it opened. I did some of my best writing while vacuuming or mopping those bare floors in empty rooms.
The thing about floors is that cleaning them doesn’t take terribly long. And then they’re finished. You rinse out the mop head, put away the bucket, and you’re done. Gardening is never finished, and neither is stitching, really—I may finish one project but there are a dozen others clamoring in the wings. Lately I find myself dreaming of an interval in which I could tip the balance in the other direction: spend the afternoons stitching instead of writing. What’s with that? I baffle myself. But I have these ideas, you see…
And if there’s anything slower than writing a novel, it’s handstitching! Ha!
We finished our readaloud of The Firelings yesterday. Oh, how I wish this were still in print! If you ever come across a copy at a library sale, snatch it up. I’ve read it at least twenty times since my dad brought it home from a used bookstore when I was eleven or twelve. Probably more. It explores, as I wrote here some years ago, “the relationship between custom and reason”—a tension I have always found intensely fascinating, as anyone knows who has heard me refer to the “ham in the pan.”
I didn’t get my hands on Carol Kendall’s other books until I was older—gosh, much older, my archives tell me. I posted about The Gammage Cup in 2010, shortly after reading it for the first time. (Scott, when you see this, skip the blockquote—I know you prefer to encounter a new book with a totally blank slate. I’m probably starting Gammage as a readaloud today.)
Kendall is one of those writers whose voice I just plain enjoy. She’s a quirky storyteller with a taste for misfits. This novel is about the Minnipins, a tradition-loving people who live in small villages in an isolated mountain valley. Their distant ancestors settled here after escaping from terrible enemies about whom little is known, now, except their names: The Mushrooms. A few centuries ago, one of the Minnipins journeyed over the mountains and back via hot air balloon. Most of Fooley’s souvenirs—and memories—were scattered when he crash-landed back at home, but the remaining fragments have been carefully enshrined in a village museum and in the customs of his descendants. (You can tell them apart from the rest of the villagers by their names, which are taken from a scrap of paper that survived the crash and is now presumed to be a list of the friends Fooley made on his journey: Ave., Co., Wm., Eng., etc. “The Periods,” as these folk are reverently called, run the village.)
Folks in the village like things to be done just so, and they have little tolerance for eccentrics like Gummy the poet or lively Curley Green, who recklessly paints images of things from real life, in disregard of the proper classical style. (My kids love Kendall’s work, but her character names drive them up a wall.) When Muggles, the reluctant heroine, and her misfit friends begin to suspect the terrible Mushrooms are preparing for another attack, they have to persuade the rest of the villagers that the danger is real. Instead, they get kicked out of the village.
Whoops—time to accompany Huck to his garden gig. I’ll come home with strawberry juice on top of the inkstains. You see why I need afternoons free for stitching!
Booknotes: The Gammage Cup
Photo from August 2017
Huck has a job watering a neighbor’s garden for a couple of weeks. In the early mornings, the two of us walk down the block and around the corner to the house where Juniper and Piper, a pair of small goats, live—only they aren’t home right now; they’re boarding at a nearby farm while their owners are away. Huck handles all the watering while I pick a few strawberries and cherry tomatoes. We have an overabundance of tomatoes already, here at home, but the neighbors urged us to take whatever ripened during their absence.
Every other morning, all Huck has to do is run a soaker hose for twenty minutes. We set a timer on my phone and meander through the sleepy neighborhood until it’s time to turn off the hose. A twelve-year-old can pack a universe of conversation into twenty undistracted minutes. I’m receiving quite an education—which has been the persistent thread of my experience as a homeschooling mom.
Yesterday Scott and I moved Rose into her new apartment, a trim little studio in a new building near her university. I thrilled with her over the new adventure—a ramen shop around the corner, an easy bus ride to work and to our house, a short walk to campus. She transferred to this school as a junior, and so far all her classes there have been online. She’ll get to spend her final year of college actually in the classroom—at least, that’s the plan. Portland’s vaccination rate is goodish, and we’re hopeful that the Delta variant doesn’t sending everyone cloistering at home again. Her fall semester doesn’t begin until late September, by which time this strain may have burned through the country and worn itself out.
(I am really worried about some of you. And a lot of kids and immunocompromised people nationwide. Worldwide. This everpresent thrum of worry.)
Later. Both gardens watered: the neighbor’s and ours. Hummingbird feeder refilled. Pancakes made (Huck), and a soft-boiled egg (me). So many roses blooming, and zinnias, rudbeckia, echinacea, anise hyssop. Milkweed blossoms opening, and hope in our hearts.
This old photo popped up when I typed “work” into my blog’s media search bar. Original caption: what I look like while writing, according to Rilla
Early on in my parenting and homeschooling journeys (same journey: they were simultaneous), I recognized as a core value the importance of giving kids opportunities for real work that contributes to the household. As my babies became toddlers and then preschoolers, and I immersed myself in education theory and methods of homeschooling, I understood that this was an area where my thinking diverged from radical unschooling. It’s why I landed upon a style of homeschooling that was unschoolish but not, by the definition developed by the radical unschoolers of the late ’90s and early 2000s, unschooling.
Book idea: what it was like to watch homeschooling theory develop and spread in different directions. The Home Ed Mag discussion boards on AOL in 1995: moms speaking with authority, laying down definitions that over the next ten years became a kind of dogma. Amusing now to think back and realize how very young their children were at the time. As the years passed, I watched with interest as their ideas were tested, challenged, vehemently defended, splintered, refined—all the while testing, challenging, defending, splintering, and refining my own. Remembering moments like the time a famous unschooling/non-coercive parenting speaker wanted me to stay for an evening event at a conference, and I explained that one of my kids was ready to head home, and she said, “Can we bribe her to stay?” —How startled I was, having seen her blister hapless moms on her discussion forum for parenting with bribery. How crystal clear it was in that moment: the gulf between theory and practice. How that canyon snakes through nearly everything we attempt in adult life, and much of the work of adulthood is building bridges.
Anyway! While I’ve experimented with different methods and materials over the years (the decades now!) of homeschooling, I held fast to certain core principles, and provide opportunities for meaningful work has been one of them. (My older children, however, will note that I applied that principle more consistently when they were small than with my two youngest. “When I was your age, I’d been ______ [fill in the blank with a household chore] for years already” is an occasional—and totally accurate—remark in my home. When you have competent teens handling the bathroom- and kitchen-cleaning, it’s easy to ride the status quo. I generally appreciate the reminders to make time for teaching important life skills to the younger set.)
The meaningful work concept has shaped our home education experience, too. If I assign something, I want it to matter, not be mere busywork. On a practical level, this means: if I can see after three or four math problems that you understand the concept, there’s no need to finish the page. You can do a few more problems on that page a couple of days later. Still remember the steps toward the solution? Cool, we can move on. If I observe a gap later, we’ll circle back and fill it in.
I know that my dogged adherence to this principle stems from the hours of boredom and frustration that filled my own school days—hours spent doing 40 problems, the first five of which were interesting puzzles and the rest, puzzle-key mastered, were excruciatingly bored and robbed me of sleep or precious reading time.
Eek, the timer’s about to go off. I was going to chronicle the past week’s meaningful work! My own, I mean.
• All tasks that make our home pleasanter are meaningful work, even the tedious kind. Of note this past week: I sorted through two boxes of paperwork from the filing cabinet, culling a whole boxful for shredding or recycling, and sorting the remaining files into grouped layers in the other box. Did I find the one piece of paper I was looking for—the document that prompted this activity? I did not.
• Homeschooling: I taught some math things, read lots of When You Reach Me (see yesterday’s post), discovered how fearfully dusty our globe is but spent a lot of time poking at sites on it anyway, and learned about the Haida Nation who lived off the coast of British Columbia thousands of years ago.
• I wrote a Brave Writer Arrow for Pam Muñoz Ryan’s lovely novel Mañanaland. Sent it off to my wonderful editor, Dawn Smith, with a few gaps that I’ll fill this afternoon. This is the May book for Arrow subscribers and will be my fifth Arrow from this academic year’s batch of ten titles. I wrote nine of the ten Darts, too! Writing these comprehensive guides is challenging and rewarding work—the reward being the delight I see on kids’ faces in the photos parents share on Instagram and elsewhere. We’re helping families make magic.
• I kept up with work for my social media clients, my coaching clients, my nonprofit client.
• I wrote posts for Patreon and for this blog.
• I worked on some extremely loose and fuzzy exploratory notes toward my next novel. Didn’t spend as much time in that notebook as I would have liked, due to the bullet points above. 😉
• I did some garden cleanup (the bees are awake at last, so it was safe to remove dead stems)—but that’s such a pleasure that I can hardly count it as work. Or: it’s meaningful work on the writing project, because gardening is when I do some of my best writing. I wrote the first draft of Fox and Crow Are Not Friends in my head while weeding the side yard, one San Diego day. Same with all three Inch and Roly stories, come to think of it.
• I got exactly nowhere on my secret stitching project. No wait, that’s not true. I made some notes about next steps.
• During the course of writing this post, I learned how to successfully extract a stripped screw. Huck is pleased. (The secret: put a rubber band over the top of the screw to create traction for your screwdriver.
It’s cardinal o’clock. Time to go!
• encounters with beauty
• encounters with living books
• meaningful work;
• imaginative play;
• big ideas to ponder and discuss;
• white space;
If this post ends abruptly, here’s why
Photo from July 2011
I’ve just had a slender epiphany. For my Patreon yesterday I wrote a post about small projects—how many I have underway, and how satisfying it is to complete them—when it struck me that as a writer and an artist, nearly all the projects I care deeply about and think of as my Real Work are huge in scope.
I write novels, which can take years. Especially historical novels, with their months and months of research.
I have two separate, original, multi-piece embroidery projects underway, and if I thought novels were a slow-burning endeavor, boy howdy. I write at light-speed compared to the rate at which a stitching project develops from a glimmer of an idea to a transferable design to a finished piece hung on the wall. With embroidery, each ‘draft’ on the way to a final piece can take months. Even if, say, there’s a global pandemic keeping me housebound for a year, creating gaps of time where wandering around the science museum or meeting a friend for lunch used to live, my hands and eyes can handle only so much stitching and staring in a given day. And attempting something grand means lots and lots of iterations, lots of experimentation, lots of snipping away errant stitches so you can try something else.
And then of course there’s my epic, my life’s work—the homeschooling project, now in its 26th year, if you begin the count from the spring of 1995, when I began the read-and-research jag that has never stopped.
Pondering this, these large-scale endeavors I’m drawn to, in the context of my being a person who relishes the sudden, the new, the different, the spontaneous, the immediate—I have to laugh. We all live in various states of tension, tugged at by opposing forces (for example, you long to travel but don’t have the funds; or you’re happiest when you’re running but your knees are giving you hell); so the contrast between my nature and my aspirations isn’t unique, but it’s amusing.
Perhaps that’s why I took so readily to blogging and its later incarnations (most social media platforms are vehicles for microblogging, with twists): their quick turnaround, their perpetually changing nature. These forms of expression allow me to share ideas and experiences quickly, and to engage in immediate discourse about any topic that has seized my interest, right away, while the flame is burning high.
Meanwhile, the slow-burning project is simmering away, satisfying a whole different part of me. And it’s the determined part, the part with vision, the molten core roiling deep under the surface.
I grow sunflowers, and I grow trees.
As I said at the start of this post, it’s a slender epiphany—a morsel of self-understanding, not a revelation that changes the course of a river. But it’s a nourishing morsel, a crumb of lembas, that offers sustenance to both my practice of blogging and my larger-scale projects.
The splendid truth (to use Gretchen Rubin’s splendid term), of course, is that sometimes you discover that one of your sunflowers has grown into a towering oak. And some of your trees turn out to be bonsai. Either way, the point is to grow something.
Photo from August 2017. Not an oak.
Through this lens, I can survey my cluttered studio, my open tabs, my Scrivener files, my baskets and bins, and see the garden for what it is: abundance. Life. I grow milkweed, and I grow blueberries, and I grow river birches. (I also, let’s face it, grow a fair share of Bermuda grass.)
What are your flowers? What are your forests?
For such a short month, it sure was jam-packed with projects and activities!
• We (those over 16) got both doses of the Covid vaccine. Wonderboy’s disabilities qualified him and his adult household members. Big relief. The second dose did pack a wallop, as we’d been warned, but a half day of side effects were totally worth it. I’ve never been so happy to have a fever in my life!
• A major ice storm knocked out our power, but only for one night and day. Nothing like the Texas hardships. Lots of tree limbs (and whole trees) came down around the neighborhood. I forgot to bring in my Swedish ivy from the porch and it froze to death.
• I finished a manuscript and sent it off to my agent. We’ll see what we see…
• I completed a major project for my nonprofit client. Lots and lots of reading and review.
• Read A Wrinkle in Time to Huck and Rilla (and Scott, who began scheduling his coffee time around our readalouds). One of the best parts of the month.
• Two weeks after my second dose of the vaccine, I went. to. Trader. Joe’s. My first time inside any building that wasn’t my house or a doctor’s office in a year! It was glorious and weird.
• Wrote my monthly newsletter—it went out yesterday, so if you didn’t receive it, check your filters!
• Books I read: Make Time; Start Finishing; The Kitchen Madonna; Year of the Dog; Big Magic; Writing Down the Bones; Three Simple Lines; Wild Mind (halfway); Do the Work by Steven Pressfield; Familiars by Holly Wren Spaulding; and parts of several other books I hope to finish this month. (Most of these are listed on my Bookshop.org page. And I’ve caught up my sidebar booklist here on the blog.) Most of these were rereads—some of them, I’ve read many times over.
• In bloom (as of yesterday): snowdrops, daffodils, crocuses, the odd hellebore here and there. Oh, and wild violets in the lawn!