Archive for the ‘Assorted and Sundry’ Category
Mid-June. I can’t quite wrap my mind around that, even though the specter of MID-JUNE has dominated my life for the past six weeks. Big scary deadline for the grantwriting work I do on the side. Happy to say I shipped off this monster application (final page count: 153—which, yes, is as long as some novels I’ve written) a few days ago and ahhhhh, I can go back to being “just” a fiction writer for a while. (My agent and my very patient Knopf editor are happy to hear this.)
Mid-June also means: I get my girl back. We fetched Jane home from college over the weekend and all is right with the world. Of course, she’ll be winging off on another adventure in a few days, but only for a week this time.
Mid-June means less than a month until the Brave Writer Retreat, at which I’ll be speaking. And a week after that, it’s Comic-Con. But no need to jump ahead of myself. After a burst of busy, our week is slowing down and we’ll soon be ebbing into low tide. Huck and Rilla are enjoying Harriet the Spy so far. We’re three chapters in. Yesterday, Huck interrupted me to ask, “Was Mixed-Up Files fiction or nonfiction?”
Heavy sigh. “I was afraid you’d say that. I wanted it to be real.”
I’m embarrassingly far behind on email. Hoping to catch up this week. I had also been neglecting my booklist in the sidebar, but I cleaned that up today. I’ve read shockingly little this year, compared to my usual book gluttony. The grantwriting work is to blame for that, too. That, and some highly absorbing internet rabbit trails. I’ve read zillions of articles but I don’t keep a list of those, and then when I’m tallying up, it looks like I’ve barely read a thing. It’s funny what we count and what we don’t.
Speaking of funny, this conversation with Scott:
He was talking about George Washington and he said, “I guess I think of him as sort of…Stalin.”
And I gave him this look like what on earth are you talking about????
And he looked at me like why are you looking at me like that?
Me: Are you being serious?
Scott: Yes, why? What’s wrong?
Me: Seriously? STALIN????
(wait for it)
Scott: What? No! I said STOLID.
Me: Check out paragraph 2 of this press release I just got—
May 5, 2016, Mount Laurel, NJ: Four of the leading independent comic book publishers have come together with Groupees to offer fans a low cost entry into the world of original storytelling from some of the leading names in graphic fiction!
This cross-publisher pay what you want “Bundle of Independents” features approximately $300 worth of books by some of the industry’s greatest creators from Garth Ennis, Greg Rucka, Duane Swierczynski, Andy Diggle, Howard Chaykin, Peter Milligan, Andy Diggle, Jim Starlin, Jae Lee, Joshua Hale Fialkov, Tim Seeley, Jeff Lemire, Dustin Nguyen, Brian Wood, Rick Remender, Joe Hill, Sam Keith, Charles Soule, Cullen Bunn, and more!
brilliant editing, guys
Scott: that’s so embarrassing
The all-men lineup. Lower in the press release you learn that one of the items in the bundle is Saga.
Why on earth wouldn’t you mention Fiona (and BKV for that matter) in your summary???
Scott: that’s insane.
But you know what? They didn’t mention Darwyn Cooke, either. Or Bryan Lee O’Malley, Walter Simonson.
Scott: what a perfect expression
Me: He’s the Mr. Knightley to the Emma actress you looked up the other day, the one I knew SO WELL
from, you know, Emma
Me: Also Edmund from Mansfield Park
Me: You realize this is why nothing gets done in modern civilization
Actually, I guess the first couple of photos here are from March. (1) We hadn’t been to Old Town San Diego in a while and made a quick pilgrimage there one day during Wonderboy’s spring break. (2) Rilla’s bunny chain—entirely her own design—is the best Easter decoration I’ve seen in a long time. Those ears!
April for real:
(3) How Huck likes to rock his Math-U-See.
(4) Library day. I want that Eric Carle rug!
(5) Another library-day shot. What I love most about this photo is that the bed they’re on belongs to neither of them. It’s Beanie’s—the bottom bunk, which has long been the favorite place for my girls to sprawl. Beanie, meanwhile, does most of her own sprawling on Rilla’s bed. Go figure.
(6) Monarch caterpillar on our milkweed: always a sight that brings me joy.
(7) Wonderboy raised these sunflowers from a handful of old seeds spilled in the bottom of a bag of mostly-empty seed packets. The color surprised us!
(8) Also a surprise this year: the giant blooms on a neglected rosebush by our patio. Loads of them! It’s like Valancy went at the bush with her clippers.
(9) Playing with a Hobonichi Techo-style layout in my bullet journal. Mary Ann Scheuer and I had a fun Skype session last week to chat about my bujo system. What’s working these days: Separate books for my messy notes and my bullet lists. It’s sort of a left brain/right brain thing: I need a space for scribbly notes of all kinds, an unkempt, all-purpose thinking-on-paper space; but I also need nice, neat(ish) to-do lists with boxes I can fill in as I accomplish tasks. It took me a LOT of years—and the revelation of the multiple-insert traveler’s notebook—to figure this out: that I need the two separate spaces.
Yay, now I can fill in that ‘blog’ box!
March 22, 2016 @ 9:26 pm | Filed under: Assorted and Sundry
This simple object is one of my most treasured possessions. It was a gift from the late, great Susan J. Hanna, whose jolly, sonorous voice I can still hear when I read certain T. S. Eliot poems. Dr. Hanna was the head of the English Department at Mary Washington College when Scott and I were students there. I spent two years as her department assistant, thanks to a lucky work-study placement. Funnily, I never actually managed to fit one of her classes into my schedule—except for the time Scott had to miss a few days of school and I sat in on his Modern Poetry seminar to take notes. Dr. Hanna was a marvelous teacher and one of the most ebulliant, brilliant women I’ve ever known. I loved working for her. I loved knowing her. She had a big hearty laugh and a tremendous presence, and she adored poetry and made you adore it too.
When I graduated, she gave me this silver letter opener—monogrammed with L for Lissa—as a going-away present. It lives on my desk and I use it daily, and think of Dr. Hanna every time I pick it up. After college, Scott and I made frequent trips up and down the East Coast between Virginia and Connecticut or New York, and every time we crossed the Susquehanna River we would sing out, The Mighty Susan J! One of our daughters has the middle name “Susanna” in Susan Hanna’s honor. Dr. Hanna died of cancer in 1994, not long before our wedding. We had sent an invitation and received a note back from her husband, the Philosophy Department chair, Professor Van Sant. I slit open the envelope with Dr. Hanna’s letter opener and was gutted to read what was inside. We hadn’t heard she was ill. News traveled more slowly in those days before we all got online.
Such a humble thing, a letter opener, a tool of limited function and unremarkable shape. And yet what a magic key it is: unlocking the portal to words penned hundreds, even thousands of miles away. Today it opened letters from France, Austria, and New York. Everything about it is special to me: the curly L that means Dr. Hanna knew me well; the solid heft of the handle, always cool to the touch. The image it conjures up of Sue Hanna striding into the office in a multicolored blouse, booming out a greeting and asking me to make a few dozen copies for her afternoon class. The stentorian recitation of a few lines from Prufrock. Here was a woman who never had to question whether she would dare to eat a peach—she seized them, split them, shared them around the room.
Sometimes when I’m cleaning the residue of envelope glue off the tip of the letter opener, I’ll catch a glimpse of myself in the surface and think about all the different selves that have been reflected there—all the iterations of myself, like a stack of letters written by the same hand but altering over time. Different paper, different postmarks. And how many other reflections are caught and held in the blade: the faces of my children, each one fascinated at some point by this curious object that looks like a knife but isn’t. Dr. Hanna’s face—I imagine her solemnly inspecting the monogram and nodding her satisfaction at the engraver. “This will do very well,” in that resounding voice. Very well indeed.
Well, I tried. Sat down at the start of my work time today, fully intending to transition with a blog post just like the old days, but a pressing email caught my attention…and here I am eight hours later.
It has rained on and off all day. Rose is in heaven—that girl was made for the Pacific Northwest, I swear—but I’m off kilter. Happy for the moisture, of course. My poor garden needs it. My freesia had just started to bloom, though—they’ll be a bit battered after the downpour.
Assorted things to chronicle:
Last Friday I was one of six guest authors at the Greater San Diego Reading Association‘s annual Authors Fair. This year we visited Bonsall West Elementary School in Oceanside. I had three classes of 4th-graders (in two groups) whose teachers are reading them The Prairie Thief. I love this event. The kids are already deep into my book and are excited to ask questions. I always start out by reading a chapter, picking up wherever the teacher left off. This time, I got to read the first encounter between Louisa and the brownie—a super fun for me because it’s a mini-reveal. Of course, that means I have to do a Scottish accent but that’s part of the fun. The kids don’t mind if I fumble it. 🙂
The other night I was in here working while Scott watched a movie with the kids. He pinged me with a question from our friend Devin (our brilliant writer friend Devin, I should say). She was working on a scene for her current book and needed help with a tree identification. Here’s a screen cap of the Google Street View close-up Scott sent me:
I couldn’t zoom in any tighter than that. Too fuzzy to make out the leaf shapes. But I figured someone out there would have compiled a list of common Manhattan street trees and I turned to my best friend Google. Turns out Someone did way better than that:
the most awesome Lite Brite I’ve ever seen
All those colored dots are trees. Specific trees. I zoomed in on the corner of Bleecker and MacDougal and found our friend the Callery Pear. Man, I love the internet. Major props to Jill Hubley, who created that rather astounding map. And Devin’s dedication to detail is one of the many reasons I love her. Nitty-gritty lovers of the world, unite.
Rilla has learned several speeches from A Midsummers Night’s Dream this year. And of course this means Huck is picking them up, too. Hearing them recite Puck’s monologues tickles me no end. “I go, I go, look how I go!” —or a world-weary yet amused “Lord what fools these mortals be…”
Here’s another thing Rilla and I have been doing with our free time. Color charts. Mmm, I could happily mix paints all day for the rest of my life if you let me.
How’s your week going?
My last post was February SECOND? For real? I don’t think I’ve gone three weeks without blogging since the summer of 2005 when Wonderboy had an unexpected surgery. Even when we moved cross-country and I spent weeks on the road alone with four little kids and an infant, I found time to toss up some short updates. It’s not that I’m busier, really—although I am seriously busy. But I was busy then too. It’s about daily rhythm and habit. I used to start the writing part of my day with a 20-minute blog entry. For years and years, that was my transition from homeschooling mom to working writer. It worked beeyootifully for nearly eleven years: spend the day with the kids, then write about the kids for a bit, and I’d be in writing mode and ready to work.
We rearranged our schedule last…summer? spring? Instead of one big six-hour block of work (writing) time, I now have a four-hour block in the afternoon, then an hour or two off for dinner and whatnot, then back at work from 7:30-9:30. When we made this shift, which has worked out well in many respects, I started reserving the evening block for blogging and various busywork tasks—paying bills, updating the website, answering emails, and so forth. I tried to save the last 30 minutes for sketching, and for the most part I’ve been successful with that. But the reality is that I need more than four hours a day for writing-work. So after dinner instead of blogging, I’ve been doing the other kinds of writing and editing that make up my workday. I’ll blog at the end, I think, and then…don’t. I’ve filled up three and a half sketchbooks, though, which feels good. I understand that I needed to take this time, need to keep taking it, to develop a sketchbook practice. I spent way too many years wishing I could draw instead of learning to draw, and I’m glad I’ve put in the effort these past 18 months. A year from now, ten years from now, I know I’ll be grateful I cultivated the habit.
Ah, but I miss Bonny Glen. The chronicle, the discussions, the community. I miss blogging and reading blogs (because that too has slipped to an occasional activity). I miss you guys!
Okay, now I’m laughing because I’m making it sound like I haven’t blogged in YEARS instead of a few weeks. When you’ve done something on a near-daily basis for over a decade, it’s reasonable to take a little vacation. 🙂 It just wasn’t planned, is all. This morning I was thinking about how quickly one habit (blogging daily) can be replaced by another (not blogging). I didn’t even think about writing a post yesterday, and today that fact startled me. My habits have shifted when I wasn’t paying attention. Sneaky little things, habits.
I’ve tried a few strategies for rebuilding the blog habit, this past year, like the weekly roundups of our reading. But those cross over into work territory, and I can’t have that. This blog must be the antithesis of work: no pressure, no obligation, just chronicle and fun. I’m greedy for that chronicle, though! I don’t want three weeks to become three months, three years. In three years, Huck will be ten, Rilla twelve, Wonderboy FIFTEEN, for Pete’s sake. (I just gave myself a heart attack. And holy cats does that boy need a new blog name.)
Well, the timing is good for me to revisit my approach, since I need to dig into my archives here anyway…I’m mining our past for good stuff I did with my older set when they were little. Today was a vintage Bonny Glen morning: first Rilla gave Huck an impromptu piano lesson and played chords to his melody (“I’m learning how to sight-see, Mom”); then a quick Michael’s run for 2-for-1 sketchbooks plus another 20% off—jackpot! Then home where we messed around on Google Maps for a while (they “drove” via street view all the way from our house to piano class); then a geocaching excursion and another two finds logged. Home again, where they made scrambled eggs for lunch. Now she’s reading Warriors and he’s reading Calvin & Hobbes. A lovely low-tide day for my littles. Beanie is off on an all-day field to the Gem Institute in Carlsbad. I have a full deck this afternoon (boy, do I ever) and I ought to get started. But this was good. Let’s do this again.
It started, I think, with my commitment to a daily sketching habit in the fall of 2014. By last January, the habit was firmly established, and I only missed a handful of days all year. January is also when I started taking “kourses” at Sketchbook Skool—which exposed me to not just the lessons and work of accomplished artists, but also to their media of choice. Which is to say: they have firm opinions about pens, making them my kind of people.
Putting pen to paper in my sketchbook reminded me how much I love that feeling. Now, I have never enjoyed doing large amounts of handwriting—I can’t write my books longhand, for example. My wrist aches after a couple of pages. But I love penmanship: other people’s, mainly. My handwriting is changeable and seldom neat. I never managed to commit to one way of shaping letters, so I wind up with different kinds of I and r and k all in one line. Last night I was numbering pages in a new bullet journal and realized that some of my 4s were the pointy kind and some were not. Happens all the time. I like change, y’all.
Anyway—I can’t write volumes by hand all at once, but I adore the feeling of a good pen on the right kind of paper. Experimenting with various pens (Pigma Micron, Le Pen, Pilot Metropolitan, Lamy Joy with 1.1 nib) reminded me how much I love analogue notetaking. So while I still find apps like Workflowy useful for tracking particular kinds of tasks, in the past few months I have shifted almost entirely to written notekeeping.
Notes on paper
Bullet journaling works very well for me. I’ve always kept a notebook as an idea and memory catch-all: phone call records, tasks completed, shopping lists, story ideas, doodles—it all winds up in the notebook in a giant jumble. Adding a bullet-journal-style index and page numbers was a revelation: now I can have my hodgepodge but find things later. Perfect.
For the first part of this year I used kraft-brown Moleskine Cahiers. They’re just the right size for tucking in my bag, they’re sturdy enough to handle the beating I give them, and they fill up in a month or two which means the continual fresh start I love. Then, in August, a glorious friend surprised me with a Midori Traveler’s Notebook. It was love at first sniff. I mean, I. JUST. ADORE. THIS. THING.
A traveler’s notebook, if you don’t know, involves a cover (usually leather, sometimes cloth or vinyl) that has a sturdy elastic cord or two strung through the spine. You slip a paper notebook under the cord to hold it in place. Then you can use additional bands to hold other inserts—various types of notebooks, folders, calendars, even plastic credit-card sleeves or zipper pouches.
My Midori set-up
After playing with my Midori for a month or two, I settled into the configuration that works best for me: a weekly calendar insert, a grid notebook, and a kraft folder that holds stickers, postage stamps, notepaper, and such. I keep a monthly calendar, too, but I don’t need to carry the whole year around with me so I have begun photocopying (and shrinking a bit) the current month and clipping that to my weekly page.
The blank grid insert is my bullet journal/idea repository/casual sketchbook, replacing the Moleskine Cahier. I number the pages and use the first page as an index, just as before. I like big fat checkboxes for my task lists, which I fill in with Prismacolor pencil as tasks are completed. Color is my happy place. 🙂 I also like to paste in ephemera and sometimes embellish with stamps, doodles, or washi tape. Basically, these inserts become collages of all the things that occupy my days and my mind. I seem to do a fair amount of sketching in them, too, even though I have an actual sketchbook for that purpose—I work in the real sketchbook daily but the TN grid insert is a low-pressure place to experiment, and I always have it with me.
Thanks to Lesley Austin’s beautiful Wild Simplicity Daybook designs, I discovered that a week-on-two-pages spread is an excellent space for me to do some chronicling. I’ve posted before about how I use the Daybook for recording homeschooling and housekeeping notes. I really like having a separate space (and such a beautiful one) for those things. I wear so many hats, and I need ways to keep my roles sorted. The Daybook (visible under my Midori in a photo above), like all of Lesley’s paper goods, conveys a sense of peace and serenity, and so it has become a really nourishing space for me to jot down my notes about what the kids read, did, said. I always feel so happy when I open that book.
Taking a cue from that experience, I decided to try the Midori week-on-two-pages for my TN. The version I selected (Refill #19) has the week in seven horizontal boxes on the left page, and a grid page for notes on the right. I use Google Calendar for our family appointments and schedules, so a couple of times a week I open G-Cal and add any new appointments to the Midori insert. At the end of each day, I create an entry on the weekly calendar page, filling it with notes about what happened that day. It isn’t a to-do list, it’s more like a diary. Not what needs to be done (that’s what the bullet journal is for), but what I actually did. The facing page fills up with quotes, ephemera, drawings, and notes on things I’ve read or watched.
Since these pages serve as a kind of journal, I like to decorate them with washi, drawings, and watercolors. I wind up doing the ornamenting mostly on weekends. Often, I’ll start the week with two or three colors of washi in front of me, and that will set the tone for my week. This daily decorating is relaxing, it takes only moments, and I enjoy paging back through previous weeks.
So those are the two main TN inserts I carry around: the weekly calendar for journaling (more or less), and the grid notebook (Refill #2) for everything else. Those two inserts plus the kraft folder (Refill #20) make the Midori as fat as I like it to get. I could easily come up with uses for half a dozen more inserts (the TN’s capacity for letting you compartmentalize is its genius), but I found that I really prefer a non-chunky Midori.
However! I did decide to devote a single insert to all medical and health-insurance-related notes, and this has been one of my best moves ever. Instead of having those notes intermingled with everything else, they live in their own space now, with a list of phone numbers on the first page. I can tuck THAT insert into the Midori when we’re heading to an appointment. It’s perfect.
NEED MOAR PAPER
All this notebooking served to increase the satisfaction I was finding in putting pen to paper. And I found I was thinking about handwriting a lot. My little goddaughter sent me a thank-you note, and her mother’s handwriting on the envelope—the gorgeous, familiar handwriting that graced pages and pages of letters in the years after college when Krissy and I wrote to each other constantly—gave me a little jolt of joy and nostalgia. I hadn’t seen her writing in a while, and I missed it. I told her (via text, naturally) how happy I’d been to see her writing, and she said the same thing had happened to her when she saw my writing on the package I’d sent her daughter.
Shortly after that, I read that Atlantic article that was making the rounds about how the ballpoint pen killed cursive. Fascinating stuff, but the bit that grabbed me was this: “In his history of handwriting, The Missing Ink, the author Philip Hensher recalls the moment he realized that he had no idea what his good friend’s handwriting looked like. ‘It never struck me as strange before… We could have gone on like this forever, hardly noticing that we had no need of handwriting anymore.'”
He had no idea what his good friend’s handwriting looked like. I miss handwriting, I thought. The distinct and beloved scripts of my old friends flashed before my eyes. I’d know those hands anywhere, could pick them out of any penmanship lineup. My kids probably won’t experience that. Jane has friends on the other side of the country she talks to via electronic means every single day, but they probably don’t know each other’s handwriting. I have plenty of friends myself whose writing I’ve never seen. If we met after 1995, chances are I’ve seen your handwriting seldom or never. (Tanita! What’s your writing like?)
Channeling my inner Jane Austen
The handwriting epiphany spurred me to the next phase of my analogue journey: I started writing letters again. Like, by hand. I have penpals in Denmark, France, Austria, and England, as well as various friends across the U.S.
I’m amused and a little baffled that for so many years I thought of letters owing replies as a kind of guilt-ridden chore—I always took forever to answer, always had them nagging in the back of my mind. Because the truth is: snail mail is the cheapest fun around. Sure, they’re slower to write than email; slower to arrive than a Facebook message. But that’s part of the charm: the slowing down, the taking time. Just as many of us have (re)discovered the joys of slow reading in the past couple of years, I have found satisfaction in…what to call it? Not slow writing, really, because part of the point is that instead of waiting months or even (gulp) years to answer a letter, I now try to reply within three weeks; I guess what I’m enjoying isn’t about speed (or lack of it) after all. It’s about a tactile experience. The skritch of a fountain pen on flecked paper. The careful selection of stamps. The smoothing-out of a bit of washi tape across a seal. The rustle of envelopes as they slide into the box, slumbering before their journey to places I’ll never go.
And best of all: the incoming letters. Foreign stamps, unfamiliar scripts, universal experiences. Beautifully decorated, many of them—it’s like getting mail from Griffin and Sabine. This one written at a café in Vienna; that one at a Starbucks in Portland. Kaleidoscopic glimpses of a life gradually resolving into a picture. We talk about things we could easily tell via email, but we’ve decided to let these stories take the scenic route. Some of them never arrive, or show up months later, ragged and stained. This only makes us love them more.
I’m writing to say I’ll write soon
A piece of the experience that affords me much merriment is the impulse, whenever a letter arrives, to hurry to Facebook and ping the friend who sent it. “Got your letter! Will reply soon,” I’ll write, and “Yay, can’t wait!” she’ll ping back. Never mind that the letter asks questions which could be more immediately answered via any of a dozen digital platforms. The answers will keep. Come Saturday afternoon, I’ll settle in with my cocoa, my envelopes, my wonderful new pink Lamy Safari that I got for my birthday. Which paper—the whimsical or the lovely? The fern stamps, or the Ingrid Bergmans? I’m almost out of globals, and the post office won’t have the new ones for a while. But have you seen them, the moons? I’m already imagining them on dark blue envelopes…
Our digital and analogue worlds will forever be intertwined, I believe. We’ll snap photos of our beautiful incoming mail to share on Instagram, hashtagged so our kindred spirits can find and enjoy it. We’ll trade addresses on Facebook. We’ll email to find out if that letter ever arrived. We’ll scour Etsy for traveler’s notebook inserts and stock up on ink at Goulet Pens. We’ll sign up for swaps on websites, and then anxiously check tracking to see when packages might arrive. We’ll reblog Tumblr articles about clever ways to hack a bullet journal. We’ll watch Youtube videos about how to set up a Midori and we’ll tap the heart button a zillion times during an unboxing on Periscope. We’ll link to photos of new USPS stamp releases in our blog posts. 😉
My blog, though, is perhaps the thing that suffered this past year as my attention shifted to paper and ink. I found that when I had a few quiet moments, I was more apt to want to spend them sketching or writing a letter than blogging. After ten years of a steady blog habit, that was a bit of a surprise. In January, this blog will be eleven years old. I’ve successfully figured out how to integrate my analogue and digital calendar-keeping and task-tracking, but it did take a little while for the pieces to settle into place. I expect the same will happen with blogging.
Happy New Year, friends!
We had quite a week here. First a stomach virus laid most of us low, and then yesterday when I was finally feeling more like myself, I managed to wrench my back during a cough. So stupid.
But a lot of nice Decemberish things happened in between the grim bits. Before I got sick, I led a craft workshop for a group of teen girls—we made little Midori-style booklets out of envelopes and washi tape, a favorite project of mine. 🙂 I got the tree up yesterday—no ornaments yet, just the lights—and even a strand of outdoor lights. And we had a double birthday this week, celebrated with marshmallow krispie treats instead of cake.
Last December I was reading novels nonstop for the CYBIL Awards. This year, I’ve hardly read a thing. This month, I mean. Between work and kids and illness, my brain just hasn’t been there. Except for reading Christmas books to the kids, of course. Jingle the Christmas Clown, Christmas Trolls, The Baker’s Dozen, Hanna’s Christmas (Huck’s pick, I swear).
I did a Periscope yesterday (about five minutes before I messed up my back) about how we use Memrise and Duolingo for foreign language and other things—a topic I’ve addressed here on the blog many a time. Earlier in the week when I was too sick to read, I found it soothing to review Memrise topics I’ve completed in the past…U.S. Presidents, British Monarchs. Rilla is loving Duolingo French and is now at a great age to use that program. As I said in the ’scope, it’s a bit too advanced for Huck—too much English spelling, let alone German—but there are aspects of the platform that he really loves, and if I sit with him to help with the spelling he gets along pretty well.
No plans this weekend except rest, answering some letters, and maybe cracking a book that has a spine thicker than a quarter-inch. You?