September 10, 2009 @ 8:34 pm | Filed under: Books,Connections,Fun Learning Stuff,Poetry,Tidal Homeschooling
What we read today (an excerpt; “the astronomer” is a boy named Dick, who is stargazing with his sister, Dorothea):
“Got it,” he said. “Just over the top of the hill. Come and see it.”
Dorothea joined him. He pointed out the bright Aldebaran and the other stars of Taurus, and offered her the telescope.
“I can see a lot better without,” said Dorothea.
“How many of the Pleiades can you see?”
“Six,” said Dorothea.
“There are lots more than that,” said Dick. “But it’s awfully hard to see them when the telescope won’t keep still. How far away does it say the Pleiades are?”
Dorothea went back to the fire and found the place in the book.
“The light from the group known as the Pleiades (referred to by Tennyson in ‘Locksley Hall’)…”
“Oh, hang Tennyson!”
“The light from the group known as the Pleiades reaches our planet in rather more than three hundred years after it leaves them.”
“Light goes at one hundred and eighty-six thousand miles a second,” said the voice of the astronomer in the darkness.
But Dorothea was also doing some calculations.
“Shakespeare died 1616.”
“What?”
“Well, if the light takes more than three hundred years to get here, it may have started while Shakespeare was alive, in the reign of Queen Elizabeth, perhaps. Sir Walter Raleigh may have seen it start…”
“But of course he didn’t,” said the astronomer indignantly. “the light of the stars he saw had started three hundred years before that…”
“Battle of Bannockburn, 1314. Bows and arrows.” Dorothea was off again.
But Dick was no longer listening. One hundred and eighty-six thousand miles a second. Sixty times as far as that in a minute. Sixty times sixty times as far as that in an hour. Twenty-four hours in a day. Three hundred and sixty-five days in a year. Not counting leap years. And then three hundred years of it. Those little stars that seemed to speckles a not too dreadfully distant blue ceiling were farther away than he could make himself think, try as he might. Those little stars must be enormous. The whole earth must be a tiny pebble in comparison. A spinning pebble, and he, on it, the astronomer, looking at flaming gigantic worlds so far away that they seemed no more than sparkling grains of dust. He felt for a moment less than nothing, and then, suddenly, size did not seem to matter. Distant and huge the stars might be, but he, standing here with chattering teeth on the dark hill-side, could see them and name them and even foretell what next they were going to do. “The January Sky.” And there they were, Taurus, Aldebaran, the Pleiades, obedient as slaves…He felt an odd wish to shout at them in triumph, but remembered in time that this would not be scientific.
—from Winter Holiday by Arthur Ransome,
one of the Swallows & Amazons books
Where it took us:
* We read the opening of “Locksley Hall,” a long and complex poem which I enjoyed thinking my way through later in the day. With the kids, I read and discussed the first several stanzas, all of us lingering especially over:
Many a night from yonder ivied casement, ere I went to rest,
Did I look on great Orion sloping slowly to the West.
Many a night I saw the Pleiads, rising thro’ the mellow shade,
Glitter like a swarm of fire-flies tangled in a silver braid.
* Of course after that we had to see the Pleiades. Discovered Google Sky. Oh. My. Goodness. Truly, we live in an amazing age.
* Spent a long time playing with Google Sky, looking up many constellations including all those mentioned in the Winter Holiday chapter. Rose told me the story of Orion being chased by the serpent, and we read the legend of the Pleiades, those seven sisters, daughters of Atlas. Beanie fetched D’Aulaire’s Greek Myths because both she and Rose wanted to read me several relevant passages.
* Hunted up our copy of Rey’s Find the Constellations and read about the different magnitudes of stars, among other things.
* Rose found Sirius, the Dog Star, her favorite star, says she, because she loves Diana Wynne Jones’s fantasy novel, Dogsbody, so.
“Here about the beach I wandered,” Tennyson’s poem continues, “nourishing a youth sublime / With the fairy tales of science, and the long result of Time…”
I don’t know about “sublime,” and we’d have to substitute “internet” for “beach,” I suppose, but yeah, it was a pretty nourishing morning.
Want more poetry? This week’s Poetry Friday roundup is at Wild Rose Reader.
Arthur Ransome, poetry friday, rabbit trails, Swallows & Amazons, Tennyson, Winter Holiday
August 28, 2009 @ 8:38 pm | Filed under: Poetry
It’s still (Poetry) Friday here on the West Coast.
The other day I mentioned a book I hadn’t been able to stop thinking about:
I wanted a few days to savor the novel I finished earlier this week: Lost by Jacqueline Davies, a spellbinding account of—well, the 1911 Triangle Shirtwaist Factory fire, sort of, but really that’s a backdrop to an achingly moving tale of loss and grief, from the point of view of a sixteen-year-old Jewish girl (whose narrative voice may be my favorite of the year so far) who works in the factory.
And Beth of Bookworm Journal commented:
Melissa, the book by Davies sounds very good — thank you for posting about it. I’m acquainted with the 1911 Triangle Shirtwaist Fire only through Robert Pinsky’s poem “Shirt.” You may know it already, but if not, I encourage you to google it (it’s on various websites). Truly an amazing poem, and might be a good accompaniment to the novel…
Before Lost, I was acquainted with the 1911 Triangle Shirtwaist Factory Fire primarily via a TV movie I watched as a girl—I remember so vividly the terrible image of a young Irish woman being urged by her desperate chum to jump out the window together before the flames devoured them, and the Irish girl sobbing that she couldn’t jump, she was Catholic and jumping was suicide and she wouldn’t do it, and the other girl stepping out the window as the Irish girl’s skirts caught fire. A horrible image. And would you believe that all this time, until I looked up the link for this post, I thought that movie was The Towering Inferno? Which entirely different film I must also have seen at some point—clearly I have conflated the two because I would have sworn Paul Newman was in the Triangle Factory movie, and now IMDB tells me he was part of Towering Inferno‘s all-star cast, along with Steve McQueen, Faye Dunaway, Fred Astaire for goodness sake, and O.J. Simpson.
The film I’m remembering must have been this 1979 TV movie, The Triangle Factory Fire Scandal, featuring Tom Bosley, Stephanie Zimbalist, and Charlotte Rae. It won an Emmy for Outstanding Achievement in Hairstyling.
There is something terribly poignant about that thought. 146 people died in the Triangle Factory Fire, most of them young women trapped on the 9th floor of a building with flimsy fire escapes, no sprinklers, and no fire alarms. 68 years later, someone won an award for getting their hairstyles right on TV.
Robert Pinsky’s poem, “Shirt,” which I had not read until Beth directed me toward it (for which: thank you so much), captures that disconnect, that jarring history wrapped up in something so simple, so unnoticed, so miraculous when you stop and think about it, as a plain cotton shirt.
The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians
Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band
Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze
At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes—
The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out
Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.
(Read the rest at the Internet Poetry Archive.)
***
Today’s Poetry Friday is hosted by The Book Aunt.
Lost, poetry friday, Robert Pinsky, Triangle Factory Fire
May 15, 2009 @ 7:19 pm | Filed under: Nature Study,Poetry
(Poetry Friday visitors, Miss Dickinson awaits you at the bottom of the post.)
I mentioned I’ve become hooked on beekeeping blogs ever since reading Fruitless Fall. Here are a few of my favorites:
Hive Mind Bee Blog. A backyard beekeeper in Washington. I especially enjoyed his account of a swarm in his neighborhood:
When they’re flying in the air, there’s nothing you can do but watch, but when the queen lands, the rest of the swarm will land around her in a huge, sedate clump that you can put into a bucket or a box and put back into a hive. Julie made a quick call to Dawn of the Puget Sound Beekeeper’s Association, got some info on how to proceed, and we were back in business. I threw on some overalls and my bee shirt, grabbed a bucket and a spatula, and I’s ready for action. First, though, I stopped off at the school across the street where kids and parents were doing landscaping and upkeep on the grounds and let them know that we had a science fair moment, if they were interested. A couple of the moms gathered up a dozen or so 5 – 10 yr olds and they all trooped over to see the bees.
Honey Run Apiaries. Great pictures, thoughtful discussion, wry observations.
I recently read an 1858 book ‘Phelps Bee-Keeper’s Chart‘. The book is obviously horribly out of date and out of print (though it is available on-line). Though it is interesting none-the-less for several reasons. While it does cover a lot about honey bees, much of it is for the purpose of promoting the authors patented ‘Ohio Combination Bee-Hive‘ saying that he expects it to ‘ supersede all others’. Sadly, while it apparently claimed honors at the Ohio and other state fairs, his book was published 6 years after Lorenzo Lorraine Langstroth’s book ‘The Hive and the Honey Bee’, which details the bee hive most of us use today in the US and in other parts of the world.
Fruitless Fall discussed the rise of the Langstroth hive, so that was a neat connection for us. Amusing tidbit at the bottom of that post:
The running joke is that if you ask 5 beekeepers in a room a question, you will receive 6 different answers. Apparently this is one of the oldest beekeeping jokes on record. Phelps wrote nearly 150 year ago that ‘there is scarcely any subject on which such a diversity of opinion exists, as on the form and size of bee-hives, and the general management of bees.’
Linda’s Bees might be my favorite beekeeping blog so far. She writes from Atlanta and posts the most incredible pictures, really informative shots that let you see the action inside a hive. Her hives have fun names like Bermuda and Mellona (the Roman goddess of bees). Excellent sidebar full of links we’re exploring as time permits.
We rented this NOVA film about bees: Tales from the Hive. The cinematography was fairly stunning. The corresponding website has video of the different bee dances and an interview with the filmmaker about how he managed the breathtaking closeup shots of bees in flight.
The next step was to find out how I could fly with the bees, because they are fast. I told myself, if I can’t fly with the bee, then the bee has to fly with me—that is, with the camera, directly in front of the lens. It was like the work at a clockmaker’s. We used a pair of tiny tweezers to form a wafer-thin wire. We then tied the bee up with this—very carefully, because we did not want to harm the bee, and we wanted to make sure it had the freedom to move its wings. A special kind of arrangement enabled us to fix the wire to the camera.
The film was made in 2000, before the beginning of bee colony collapse and I think possibly even before the massive varroa infestation that has crippled so many hives in recent years.
My dear daddy sent me some cool links:
How to make a house for mason bees
Pursuit of the perfect pollinator
(Thanks, Dad!)
Since today is Poetry Friday, let me leave you with a little Emily Dickinson.
The Bee
Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry
Withstands until the sweet assault
Their chivalry consumes,
While she, victorious, tilts away
To vanquish other blooms.
Her feet are shod with gauze,
Her helmet is of gold;
Her breast, a single onyx
With chrysoprase, inlaid.
Her labor is a chant,
Her idleness a tune;
Oh, for a bee’s experience
Of clovers and of noon!
beekeeping, bees, Fruitless Fall, honeybees, poetry friday
April 17, 2009 @ 7:56 am | Filed under: Poetry
Scott just sent me the link to this LA Times article about the great Irish poet Seamus Heaney.
In a recent interview, Heaney said he was often asked what the value of poetry was during times of economic recession. The answer, he explained, is that it is at just such moments of crisis that people realize that they do not live by economics alone. “If poetry and the arts do anything, they can fortify your inner life, your inwardness,” Heaney said.
At first, that may seem like a quaint observation — one of those poet-as-holy-fool lines. Yet an effort to “fortify your inward side,” Heaney explained to another questioner, can act as a kind of “immune system” against material difficulties.
I have a collected Heaney and a collected Keats Yeats* in a basket by my rocking chair for those moments during the day when I need a little fortifying.
Even better is hearing Heaney read his poems aloud. That rich voice, oh my.
When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other’s work would bring us to our senses.
The Poetry Friday roundup is at Becky’s Book Reviews today.
*I typed Keats by mistake. I meant Yeats. I’m a rather ardent Keats fan, too, but his poems reside on a shelf, not in my rocking-chair basket. Somehow it’s the Irish poets I return to the most often, those wry observers, mouths quirked to one side. Their lush imagery and the obvious delight they take in hunting the right word, like wall-builders seeking the perfect stone to fit into the next spot, knowing all the while that the wall won’t keep the evils out entirely but will, for a time, protect a quiet space of peace. More fortification, I suppose.
October 24, 2008 @ 7:12 am | Filed under: Poetry
Understanding
by Sara Teasdale
I understood the rest too well,
And all their thoughts have come to be
Clear as grey sea-weed in the swell
Of a sunny shallow sea.
But you I never understood,
Your spirit’s secret hides like gold
Sunk in a Spanish galleon
Ages ago in waters cold.
***
Prayer of Saint Francis of Assisi
Lord, make me an instrument of your peace.
Where there is hatred, let me sow love;
where there is injury, pardon;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.
O Divine Master, grant that I may not so much seek
to be consoled as to console;
to be understood as to understand;
to be loved as to love.
For it is in giving that we receive;
it is in pardoning that we are pardoned;
and it is in dying that we are born to eternal life.
This week’s Poetry Friday roundup is at Big A Little A.
August 22, 2008 @ 6:58 am | Filed under: Poetry,Scottish folksongs
Another old Scots ballad I’ve been humming almost incessantly lately.
The water is wide,
I canna cross o’er.
Neither have I wings to fly.
Give me a boat that can carry two,
And both shall row,
my love and I.A ship there is,
And she sails the sea.
She’s loaded deep as deep can be.
But not so deep
As the love I’m in…
I know not if I sink or swim.
I love these old songs so very much. This one goes way, way back, and has many variations, some Scottish, some English. The most common version, the one I’ve quoted above, goes on to tell a very sad tale of love lost, betrayal, faithlessness. But I like the song best just like this: these two simple verses, which by themselves seem to me to speak to a true love, a real love, the kind between two people who, pulling together, can navigate stormy waters no matter how burdened the boat.
If you’d like to listen to the melody—perhaps even more beautiful than the lyrics—here’s a lovely version by Jewel, Sarah MacLachlan, and The Indigo Girls. (YouTube clip.)
Or here’s James Taylor.
The singer in this YouTube clip sounds like Charlotte Church to me, though she isn’t credited. The visuals are scenery.
This week’s Poetry Friday round-up can be found at Read. Imagine. Talk.
March 7, 2008 @ 1:09 pm | Filed under: Books,Connections,Unschooling,Why I Homeschool
The other day I posted a link to this article about Harvard professor John R. Stilgoe. The article made me want to read his book, Outside Lies Magic: Regaining History and Awareness in Everyday Places
Some quotes:
[Regarding his courses at Harvard]
“…I refuse to provide a schedule of topics. Undergraduate and graduate students alike love schedules, love knowing the order of subjects and the satisfaction of ticking off one line after another, class after class, week after week. Confronted by a professor who explains that schedules produce a desire, sometimes an obsession, to “get through the material,” they grow uneasy. They like to get through the material.
“I explain that the lack of a topic schedule encourages all of us to explore a bit, to answer questions that arise in class or office hours, to follow leads we discover while studying something else. Each of the courses, I explain patiently, really concerns exploration, and exploration happens best by accident, by letting way lead on to way, not by following a schedule down a track.
“My students resist the lack of topic structure because they are the children of structured learning and structured entertainment. Over and over I explain that if they are afraid of a course on exploring, they may never have the confidence to go exploring on their own.”
(snip)
“Learning to look around sparks curiosity, encourages serendipity. Amazing connections get made that way; questions are raised—and sometimes answered—that never would be otherwise. Any explorer sees things that reward not just a bit of scrutiny but a bit of thought, sometimes a lot of thought over years. Put the things in spatial context or arrange them in time, and they acquire value immediately.”
This is exactly what I’ve enthused about when I write about the connections my kids have made—I get so excited about it; it amazes me to see what they put together in their minds, and where the subsequent discussion takes us. It’s how I learn best, and live best, too.
In a post a while back I quoted Sandra Dodd on connections:
“Learning comes from connecting something new to what you’ve already thought or known.”
She has a connections page on her website (well worth your time to explore). At the top is a quote from Heraclitus, circa 500 B.C.:
A wonderful harmony arises from joining together the seemingly unconnected.
Yesterday, perched in that tree outside the library, Beanie looked at a sign on a church across the street and said, “Mom! The Black Douglas!”
The sign said “E. Douglas.” It reminded her of the story of The Black Douglas (a Scottish hero) that we read in James Baldwin’s book Fifty Famous Stories Retold. She giggled and said the sign should say “B. Douglas.”
The Baldwin book is a great one for connections. When we see rocks poking up from beneath the waves out at sea, Bean calls out, “The Inchcape Rock!” We have a whole long-running family joke spinning off King Alfred and the cakes he burned while daydreaming military strategy. The joke kind of blurs into my kids’ very, very favorite Gunther children quote, uttered by a young Margaret at dinner one night: “Mommy, my burnt corn is cold!”
(One of the many reasons I adore Alice. She’s my kind of cook.)
Last weekend the girls were watching a Tom and Jerry cartoon. Tom was conducting an orchestra in the Hollywood Bowl (and beating down an eager Jerry who wanted to help). Jane wanted to know what the music was. I thought it sounded like Strauss, but I wasn’t sure, so I (what else) Googled it. Sure enough: it’s the overture from Die Fledermaus. We looked it up on Wikipedia and read about the opera, and we watched the overture on YouTube. Which led to viewing other songs, mostly sung by the famous coloratura Edita Gruberova, who is famous for her Adele in Fledermaus and who also played the Queen of the Night in Mozart’s Magic Flute, which (if you want another Alice connection) is the song my cell phone plays when she calls me because it always reminds me of her daughter Theresa singing the aria around the house. And from there way led on to many other ways, and these connections will keep popping up in years to come, linking to something else.
Oh, I just remembered writing about this years ago, how I love that we call it “linking” when a topic on one web page connects to a page somewhere else.
“Way leads on to way,” of course, is a quote from “The Road Less Traveled.” But unlike Frost’s traveller, who, “knowing how way leads on to way,” doubts life will ever bring him back to this crossroads in the wood where he has chosen to take the less traveled path, the paths unfolding before our connections can and will be revisited and explored endlessly, in different ways, all through our lives. And like the paths in the wood, where wind and light and leaves and wildlife are always altering the landscape so that the path changes from hour to hour, our mental landmarks are changed and built upon and nuanced every time we revisit them.
Another funny connection: I had read much of the first chapter of Outside Lies Magic to Jane yesterday—it’s one of those books you just can’t keep to yourself—including the parts quoted above about Stilgoe’s students being uncomfortable working without a clearly defined linear schedule. This morning I asked Beanie to do a job for me, and I was explaining it step by step— overexplaining, evidently, because Jane laughed and said, “Gosh, Mom, it’s like you think she’s a Harvard student.” Heh.
“Exploration,” says John Stilgoe,
“is a liberal art, because it is an art that liberates, that frees, that opens away from narrowness. And it is fun.”
Yes: it is so, so much fun, and that is why I write these posts all chattery with excitement over this or that connection the kids made today. (Or that I made myself!) I know I get carried away, but that’s the point, isn’t it, that way leading on to way has carried me away? And yet—and yet—I think we are at once ‘carried away’ and made more fully present in the now, more rooted, by these relationships between ideas about things past and future. The joy of connection makes me want to celebrate this moment, this brief encounter with wild-haired child and broad-trunked tree, bus going by, sign on church wall, Scottish warlord creeping over the tower wall and startling the English soldier’s wife who has just put her babe in arms to sleep by crooning that the Black Douglas won’t get him. Child, laughing, shouting “Dinna ye be sae sure aboot that!” across the courtyard outside the library. How can I not celebrate this freedom?
